Radiohead’s ‘Down Is The New Up’ is no longer an ironic title – take a listen. Radiohead – Down Is The New Up

Found on The Music Slut.

I’m confused by this TechCrunch end of year story entitled Top Social Media Sites of 2008. YouTube is nowhere to be found in the top 20..? Does this mean that YouTube no longer counts as a social media site or is it just that getting 5.4 billion views puts it in a rank all of its own? This chart from May 2008 puts YouTube at the pole position.

Regardless of rank YouTube had a great year; or rather companies who understood its power learned how to use it well. Salon.com points out in The Year of Viral Video that even political junkies jumped in, as can be seen in this example of a campaign message for Obama, a brilliant retelling of the “Wassup?” Budweiser ad.

As anyone who hasn’t been living under rock knows, SNL, Tina Fey and Hulu had a lot of fun at Gov Sarah Palin’s expense. Hulu, the joint NBC-News Corp. service, which launched publicly back in March, now ranks sixth among Web video sites. Between Hulu and NBC.com, more people watched “SNL’s” Sarah Palin sketches online than on TV. Their Clinton-Palin opener, which aired on Sept. 13, has been viewed more than 8 million times on the “SNL” Web site.

Salon also pointed out that “The smaller Web video site, Vimeo, continued to expand its catalog of beautifully produced videos available in HD and struck gold with Capucine, an adorable little French girl. The pint-size Amélie enthralled us with her storytelling, her imagination — and her accent. She even befriended a boy online; it was like e-Harmony for kindergartners.”

Capucine meets Alex from Capucha on Vimeo.

Click the image and watch the action…

In today’s Brave New World, beware of those amongst the social media chattering classes advising companies and brands who throw around phrases such as “you need a Facebook page” or better yet, buzz words like viral as in “you should make a viral video,” perhaps even “are you Twitting.” Facebook is getting called out as the place for narcissists [who would ever have thought...!] meanwhile pundits are trying to get their heads around The Naked Generation [Hint: they lay their lives bare online and understand that Britney flies close to flameout but dig the fact that she's a fascinating spectacle all the same.]

I’m not certain if Nintendo has a Facebook page for its game, Wario Land but if you want an example of an online marketing campaign that is simple, effective and fun then this YouTube video is for you.

As CNet reports today, Hollywood and YouTube may be edging towards their own version of Pax Romana. Meanwhile, beyond the learned walls of the law courts and Google’s battle with Viacom, we here at Social Cache have been scratching our heads over Viacom’s position.

Obviously Viacom is up in arms over what it argues is copyright infringement whenever one of its artists’ songs are used in a user-generated video. Their lawyers are even arguing that in most cases they want to set aside the notion of fair use. That in itself is ridiculous as in a lot of circumstances Viacom has stepped over the edge of copyright boundaries. In 2007 Viacom sent YouTube 100,000 takedown notices! And as this video from the EFF points out, many of those videos that Viacom had asked YouTube to remove, were not infringing anyone’s copyright.

We ourselves received a takedown notice and had a video removed from YouTube. The video was of one of our numerous snowboarding expeditions to Mt Hood and it included a clip of a song by the group White Zombie. We could have argued that under the law if we had used the music for parody, for comment, for criticism, for news reporting or for non-commercial use then we’d be in the clear. In this instance it was the latter – non-commercial use. We couldn’t be bothered, we weren’t that attached to the video and anyway, like millions of other folks, we put up videos at an alarming rate. Here’s our latest.

So here’s the Nemo and Social Cash POV. By removing our video Viacom denied thousands of people the pleasure of hearing a White Zombie song. One of its own artists! And no money was changing hands. One solution – Viacom should provide YouTube with a license from a roster of its artists who agree that their music can be used in a video for non-commercial use. In return YouTube provides its users with a simple license that allows users to add music from these artists to their amateur videos for non-commercial use for a small fee of, perhaps $3.00. Now Viacom and its artists get a share of this revenue, YouTube users won’t receive takedown notices, and Viacom can go a long way to recouping its, no doubt, millions of dollars it is spending on these lawsuits.

You’re welcome. Let me know why it won’t work….

Meanwhile over at MySpace, Rupert Murdoch’s News Corporation has a business that’s built on the backs of thousands of unsigned musicians. Who is looking out for them?

Well, either Gary Busey has or GotVMail has. Gary appears to be “tired and emotional” as Private Eye would say, so it’s sure to be viral.

In an article in the Wall Street Journal today [subscription req.] a report says that YouTube will will fall short of revenue expectations. The twist to this chatter is that Google has found that 80% to 90% of video watchers hate to watch pre-roll advertising and they leave the video the minute they see any hint of a pre-roll. The story goes that Google intends to ignore its own research and go ahead with pre-roll anyway.

And the reason that most pages on YouTube are ad free? Because Google is fearful of showing that it is profiting from copyright infringement. They already in the middle of a copyright infringement lawsuit filed by Viacom. That apparently leaves Google with only 4% of the videos being legally a-ok to advertise around as they have been approved by the copyright owners.

Bottom line for Google and the lawsuit they face, is that it is very unlikely they will receive a ruling in their favor to make money from copyright-violating content. It also will be a barrier to entry for anyone trying to launch a social media advertising program around these big content sites. Even Rupert Murdoch’s News Corporation doesn’t own the copyright to hundreds of thousands of songs on its MySpace site.

As we celebrate Independence Day we can mull this over. Regardless of the facts of the case and Viacom’s complaint it would seem that, as the NYT reports, “the order raised concerns among users and privacy advocates that the online video viewing habits of hundreds of millions of people could be exposed.”

Via the New York Times:
A federal judge in New York has ordered Google to turn over to Viacom a database linking users of YouTube, the Web’s largest video site by far, with every clip they have watched there.

For every video on YouTube, the judge required Google to turn over to Viacom the login name of every user who watched it, and the address of their computer, known as an I.P., or Internet protocol, address. Both companies have argued that such data cannot be used to unmask the identities of individual users with certainty. But in many cases, technology experts and others have been able to link I.P. addresses to individuals using records of their online activities.

Here’s the back story on the lawsuit from FindLaw:

Viacom and its companies filed a copyright infringement lawsuit against YouTube and Google seeking at least $1 billion in damages.

The media company charges that “YouTube has harnessed technology to willfully infringe copyrights on a huge scale,” by taking “the value of creative content on a massive scale for YouTube’s benefit without payment or license. The suit alleges that the copyright infringement is on such a large scale that it “identified more than 150,000 unauthorized clips of their copyrighted programming on YouTube that had been viewed an astounding 1.5 billion times.”

Viacom details the “legitimate licensed channels” that it works with to distribute the company’s copyright-protected content. These partners include Apple’s iTunes Music Store and Joost.

The suit also charges that YouTube selectively deploys filtering technology “[b]y limiting copyright protection to business partners who have agreed to grant it licenses,” even though copyright holders are entitled to protection of their works under federal copyright law without such business agreements.

There is no business more maligned right now than the music business so it’s always a surprise to me to find that brands and their agencies haven’t been following the story. Where once every college students dream was to graduate and land that much-sought-after job in the mail room at Warner Bros Records, I would argue today that they are far more interested in joining Google or one of the myriad of new media start-ups rather than getting a job at, or being signed to, the now unsexy music business. In fact one of them is no doubt creating a new, new, new media company as I write.

And then along comes Macys’ American Rag brand campaign – from AdWeek under news, non-traditional – a series of documentary Webisodes will follow the lives of five young people who want to break into the music business. The series, “Ragged Road,” launches in the fall. WPP Group-owned MEC Entertainment developed the show, which will play on YouTube. Nancy Slavin, svp of marketing at Macy’s merchandising group, said this marks a first for the brand in “doing something wholly dedicated to a communications strategy on the Web.”

So Macys’ merchandising group has plunged head first into a web-only strategy. Brave. The clothing brand targets 18-24 year-old males and females and they have deduced that music is one of the passions of this demos primary targets – true, but – music is just one of the passions not the primary passion.

“There’s a lot of people who want to get into the music industry, but don’t know how to go about it. So, we said, let’s find five people who have a passion for the business and want to see what the career opportunities are and what different paths there are to get into the music industry,” said Chet Fenster, managing partner at MEC. – I believe that statement is rather insulting to kids today, it sounds like a justification for making the webisodes rather than reinforcing a need that came out of a focus group session with young people.

All five cast members will be wearing American Rag clothing. They will also be given the opportunity to shop for the brand as they travel across the country. For YouTube users interested in buying the clothes, the Macy’s site will serve as a shopping portal.

Cast members huh? I don’t understand why the agency didn’t find a cool young band that are actually working hard on the road but are struggling to make it. That would have been the truly authentic route to go. Driving a bunch of “cast members” around the country on a bus and giving them “the opportunity to shop for the brand” as they go doesn’t sound so compelling to me. A more authentic way into the music market was showcased recently by Dennys, the restaurant chain, with their Adopt-A-Band campaign where they picked up touring bands and gave them a helping hand in the way Kids like their fashion to be unique. of free meals and other opportunities. Bands and music fans are very nocturnal and always hungry at after hours so this made sense in many ways. Dressing up a “band” in American Rag outfits and giving them a bus to travel on is so fake. It doesn’t take into account the harsh reality for thousands of young touring bands in the USA (gas at $4 bucks a gallon anyone?) nor does it take into account young kids’ propensity for mashing up their fashion sense into something unique, their own style.

Here’s one of those moments where modern culture and history collide very nicely. The modern part being the simple viral nature of YouTube, an email from my friend Maf who is traveling around his birthplace, Wales and the old Llanfrynach Church organ. And like anything to do with UK history it comes with a simple tale. This one is about gaining access to the church – “Here’s a little video of the old pump organ in the church next door to my Brothers house in Cowbridge, Wales, UK (yes near England). To get into the Church you must got to the pub across the road and ask at the bar for the key. It feels impolite to ask for the key without getting a drink. I think a lot of people may be drunk when they visit the Church… awesome.”

Find more at Maf and Tara’s blog.

While Guy Ritchie was busy shooting Nike’s The Next Level Madonna was doing the vacuuming….

Google held an event last month to pull together executives from companies such as Hewlett-Packard, Pepsi and General Mills and try and persuade them to run advertising on YouTube. Google’s challenge is to teach these executives that YouTube is more than just a site for users to upload goofy video clips, it’s actually more of a social network activity site. As Google executives pointed out using YouTube is more engaging than watching television as there is much more interactivity. And one of Google’s execs, Dave Eun said that “he thought advertisers were far too focused on well-known television brands, and that some of the best video comes from smaller outlets like the Sundance Channel and the Professional Bull Riders Association.” Google is also trying to get the industry to set standards for online videos, on the assumption that standards will help advertisers spend more on video ads.