Paris in the 1960s
Tuesday, February 10th, 2009


This set of images from Paris cafés and nightlife is pretty amazing look back at how things were in 1962 (via ruby press).




This set of images from Paris cafés and nightlife is pretty amazing look back at how things were in 1962 (via ruby press).

Canon G10 review – New but not improved from Dave Allen on Vimeo.
Now those of you who know us well at Nemo, and particularly StudioNemo, would surely understand that we take our cameras very very seriously indeed… Well, we have lived with and loved the Canon G9 for some time now. In fact we loved its ability to be a basic blogger’s work horse so much that it became standard issue around the shop. So naturally we were waiting with baited breath for the new, shiny updated G10 model…. uh oh… read on and watch the video, it gets ugly.
From Nemo’s Trevor Graves – “This is the review I have been excited to write for months. I have read the rumors on the blogs about Canon discontinuing the G9 and all the new and improved features for the G10. I pre-order the rig on Amazon and sure enough it’s delivered today October 3rd, 2008. With the excitement of a 10 year old I ripped open the box and unleashed the new toy.
That is where the excitement ended.
Being intimately familiar with the G9 I intuitively reached for the Video function of the G10 as I have heard about the new and improved DIGIC 4 chip and the ability of it to produce HD quality video on an SLR. How exciting to have better video!! Wait, what’s this, small video format and NO TIME LAPSE feature. WTF??? I pay $50 more and Canon drops features that turned me on to the G9 in the first place. WTF!!! I am pissed! Who was the genius at Canon that is living in a bat cave to lose sight of what makes the G9 wonderful in this new world of bloggin! Was the decision maker a frustrated SLR engineer that wanted to get their rocks off on a 14.7 megapixel CCD sensor? Why even have the G10 at all. Other point and shoots are smaller and have a large enough meg for decent prints, the larger SLR have better quality and better everything so why go with this G10 product that has nothing more to offer than less noisy images in low light and a faster processing speed that is negligible to the end user any way. WTF??? The over under dial is handy and more convenient but come on guys, I can tweak that exposure on the back end in photoshop and the G9 over/under function wasn’t that horrible. Shit even the lens cover looks cheaper than the original G9 lens cover. I bet this one scratches the lens in its poor construction too. WTF? You could have at least made that better for $50.”
Well, Canon, seems like there’s some ’splaining to do….

Have you ever secretly wondered what the bold and beautiful people inhabiting this planet really live like? Thanks to New York photographer Todd Selby, you can finally find out. Here’s your chance to be a peeping Tom with absolutely no guilt. This is a truly fascinating and introspective encounter that lacks the glossy facade of house and decor magazines.


Cool Hunting dropped the word on Portland’s Rock Camp For Girls documentary. How both of us missed the fact that it opened March 7th is a crime! We here at Nemo at least can take credit for hosting Shayla Hason’s – Hope Is A Muscle photo exhibition starring the Rock Camp For Girls kids.
Most reviews of the 2007 documentary “Girls Rock,” might mention it’s a tearjerker (it is) or praise it for being uplifting (also true), but none so far mention the overwhelming urge you will get to take out your checkbook to support the cause. Arne Johnson and Shane King (two seasoned SF-based documentarians and longtime pals) tell the story of four girls, all dealing with their own struggles in adolescence and gender, over the course of their time at Portland, OR’s Rock Camp for Girls. The film deftly relates their struggles and giggles, unapologetically delving into the issues without preaching and with surprising honesty.
Liz Canning’s cut-and-paste style animation make statistics and facts entertaining while a soundtrack—loaded with the indie faves you’d expect including Bikini Kill, Sonic Youth, The Blow, Rainier Maria, The Donnas, Low and many more—drives the point home. With a mix of verité footage, intimate interviews and performances, the filmmaking style is loose and a little raw (in a good way). What it might lack in polish (which is not much), it makes up for with solid editing.
We highly recommend you check it out for yourself. To find out screening dates and locations, check out their site. (You may want to check their blog also as it seems to be updated more regularly.) Also, donate!