Other than an elongated literary adventure through Cormac McCarthy’s ‘Border Trilogy,’ reading ‘All The Pretty Horses,’ ‘The Crossing’ and ‘Cities of the Plain’ in the summer of 2005, followed in 2006 by reading McCarthy’s masterpiece, the aweful ‘Blood Meridian‘ [and I use aweful by way of its true Middle English definition - "Filled with awe, especially: 1. Filled with or displaying great reverence.",] I’m not inclined to reading novels. McCarthy’s ‘The Road’ and ‘No Country For Old Men’ were both outstanding and Martin Amis turns out great work but I prefer non-fiction; currently I am buried in E.O.Wilson’s ‘Consilience’, re-reading Robert Wright’s ‘The Moral Animal’ and am halfway through John Gray’s ‘Al Qaeda And What It Means To Be Modern’ having finally finished his ‘Straw Dogs: Thoughts On Humans and Other Animals’ for the third time. This summer’s less than light reading list just grew by two - the Amazon package today contained John Gray’s ‘Black Mass: Apocalyptic Religion and The Death Of Utopia,’ and ‘Heresies: Against Progress And Other Illusions.’

Otherwise I’m keeping an eye on the Madonna - Guy Ritchie marital farce.

I love coincidence. Coincidence I mention because as I reach the end of John Gray’s book, Straw Dogs, for the third time in as many years, I read chapter 20, ‘The Soul In The Machine,’ an hour before leaving the cabin this weekend. On arriving home last night I caught up with Friday’s edition of the NYT and read a review of the new Pixar movie, Wall-E, by A.O. Scott. In the first paragraph of his review he tells us - “This is a world without people, you might say without animation, though it teems with evidence of past life.” He also mentions that in the first 40 minutes of the movie - “barely any dialogue is spoken.”

Another coincidence here is that it is as if the movie’s director, Andrew Stanton and his co-writer Jim Reardon, had also read the last few chapters of John Gray’s book. According to A.O. Scott the movie’s underlying theme is far from a happy one - “…… but ‘Wall-E’ surely breaks new ground. It gives us a G-rated, computer-generated cartoon vision of our own potential extinction. It’s not the only film lately to engage this somber theme. As the earth heats up, the vanishing of humanity has become something of a hot topic…”

The Earth devoid of humans, or at least where the remaining humans are reduced to living in cities “emulating the noble idleness of hunter-gatherers, their needs met by new technologies” as Gray writes, is an Earth left to conscious machines. The writers and director of Wall-E suggest that this has already occurred and conscious machines are all that remain on the planet. As he says - “Wall-E’s tender regard for the material artifacts of a lost civilization is understandable. After all, he too is a product of human ingenuity.”

“In his recent documentary Encounters at the End of the World the film director, Werner Herzog muses that “the human presence on this planet is not really sustainable,” a sentiment that is voiced, almost verbatim, in the second half of Wall-E.”

As Gray writes in his passage ‘The Soul of the Machine,’ - “Those who fear conscious machines do so because they think that consciousness is the most valuable feature of humans - and because they fear anything they cannot subject to their will. They fear the evolution of conscious machines for the same reason they seek to become masters of the Earth.”

Gray predicts - “As machines slip from human control they will do more than become conscious. They will become spiritual beings, whose inner life is no more limited by conscious thought than ours. Not only will they think and have emotions. They will develop the errors and illusions that go with self-awareness.”

That sounds like a movie called ‘Wall-E’ to me.

One other coincidence regarding the movie was that today I read a post by Seth Godin on his blog entitled “Bravery and Wall-E.” At first I thought from the title that by bravery he meant that we humans are brave to be advancing our technological know-how ever forward as we invent “living software” and biological chips, machines that Gray predicts will move us humans toward extinction. Unfortunately that wasn’t the case - Seth discussed the marketing [or lack of] and how the movie will make “plenty of money.”

The parable of ‘Wall-E’ transcends marketing and money.

The Tower of Babel

Cities live and breathe. As I wrote in a post last week on Social Media, cities are no more artificial [technological] than the hives of bees. As we go about our daily lives [mostly unconsciously,] we psycho-drift from block to block through neighborhoods that we know well, in amongst communities that have been drawn together by like-minded people. Think East Village in Manhattan, Venice Beach in Los Angeles, Camden Town in London, Pigalle in Paris - and here in Portland, the Pearl District.

Where we tend to live and work is often amongst communities of like-minded people, unless, as in the USA, one lives in a far-flung exurb and commutes for hours to work. Over centuries we have moved as a species from the rural countryside into large urban centres. As we have done so the ‘idea’ of the city sprang up. Throughout different periods in history, planners and architects have had differing ideas about how to cultivate urban living arrangements. There has been some success and much failure.

As James Kunstler writes in his book, The City in Mind, - “[the] nation’s massive suburban build-out was an orgy of misspent energy and material resources that squandered our national wealth and left us with an infrastructure of daily life that, left as is, has poor prospects in the new century.” Kunstler points out that as global warming, oil depletion and other epochal disorders are upon us, we must reconsider what is a ‘city.’

He argues that one of the chief side effects of the move to suburbanism is “the cultural destruction…especially the loss of knowledge, tradition, skill, custom and vernacular wisdom in the art of city-making that was thrown in the dumpster of history….”

A city is not just a series of streets and avenues with buildings on either side, a city is people, culture, society and the networks that form to bind those societies together into communities. The suburbs were literally a dream, an idea that General Motors had of a drive-in utopia in its plan for a World of Tomorrow. Kunstler goes on to point out the folly of the “Edge City,” a term coined by the writer Joel Garreau. Kunstler says “I essay to show how Atlanta took the urban model of car-crazy Los Angeles to its most ludicrous, and in my view, terminal stage. With Atlanta, you can forego agonizing over the future, because the present doesn’t even work there.” As he points out “our human ecologies - namely our towns and cities - remain devalued, depopulated and decivilized.”

In America we prefer landscape over urbanism. What then now as our dependence upon oil, refined as gasoline for cars that transport one person at a time from these suburbs to the cities, proves the folly of these far-flung suburbs? Will we see a move toward urban vitality? A migration back to the city?

Government spending at any level, state or local, does little to help. We need to “nurture the unplanned civic engagements that make mixed-use city life so appealing” - writes Douglas Rae, the Richard Ely Professor of Management and Professor of Political Science at Yale University, in his book, City; Urbanism and Its End. “Small scale retailing, neighborhood clubs, informal enforcement of sidewalk civility and new urbanist design may be the keys to the future.”

I agree with Rae on the idea of “nurturing unplanned civic engagements” as he puts it but that’s as far as I would go. The rest of his thought sounds like the issue of we humans being in control of our destinies again, trying to have the answer that is beyond nature, beyond what we actually do when we congregate in cities. Our desire for urban centres always seem to be about ‘order’ or ‘cleanliness’ and ‘organization.’ So on one hand we have the thinkers - the planners and the architects, and on the other - the citizens who actually inhabit the space that we call city. What we might call the ‘Few and the Many.’

Alongside a piece by the New York Times film critic, A.O.Scott, called Metropolis Now, where he writes about the idea of how yesterday’s film sets became today’s cities, there is a sidebar that takes some lines from Fritz Lang’s 1927 film “Metropolis” - “The minds that had conceived the Tower of Babel could not build it. So they hired hands for wages. But the hands that built the Tower of Babel knew nothing of the dream of the brain that had conceived it. One man’s hymns of praise became other men’s curses.” There’s that word again, dream.

We humans dream. We dream of controlling nature, we dream of saving the earth, we dream of organizing our cities. Those dreaming deny the fact that cities live and breathe. Not the concrete architecture, not the buildings - the people that inhabit them. When someone talks of Rome having a ’soul, a feeling’ they are misinterpreting the difference between the city and its cultural makeup; people can be said to have souls and feelings, we ‘know’ this - buildings don’t have soul and feelings.

As Fernando Pessoa writes - “Only if you don’t know what flowers, stones and rivers are can you talk about their feelings. To talk about the soul of flowers, stones and rivers, is to talk about yourself, about your delusions. Thank God stones are just stones, and rivers just rivers, and flowers just flowers.” We dream and we delude ourselves.

Richard Florida, author of The Rise of the Creative Class dreams of organizing urban centres [which he correctly identifies as 'place'] around the idea of a mythical “creative class” who are bound by the idea of the “three T’s,” Technology, Talent and Tolerance. This dream involves cities having a strong technology base, a “creative” class as he calls it, and a strong gay community. And of course the idea he spins is that to grow a city’s economic base it should invest in nurturing the “three T’s.” Once again - The Few and the Many. Planners and architects can no more decide what a city’s culture will be than we know that a stone has feeling.

The fabric of a city is its population. Like a bee hive [architecture] or an ant colony [social network], natural rules of engagement spring up through the daily interaction of those who inhabit a city. They commune. They gather in tribes in their ‘places.’ They share information, ideas, things they like. They become less ’selfish.’ They are city.

As John Gray writes in Straw Dogs - “Anyone who wants to escape human solipsism should not seek out empty places. Instead of fleeing to the desert, where they will be thrown back into their own thoughts, they will do better to seek the company of other animals. A zoo is a better window from which to look out of the human world than a monastery.”

Most large cities have a zoo.

Listen to and download Psycho Drift. Shriekback - Psycho Drift

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Roy Christopher has posted his annual Summer Reading List. Click on that link and all will be revealed. For those not inclined to click through here’s my contribution, followed below by Roy’s.

Dave Allen

I’ve traveled less this year than is normal for me. No Gang of Four activity anymore, so no more mind numbing journeys by train, plane, and automobile alleviated only by the power of a good book. If I was a humanist I could say that at least my carbon footprint is lower, but the Earth has plans for us, and we can’t do a damn thing about it.

That thought has always been at the forefront of my mind as I have tracked the environmental/green movements, and then followed the chattering classes’ attempts to reduce the United States’ energy dependence as they dropped into the arms of the more-than-willing Toyota Corp, helping to push sales of the Prius through more than one million.

More than one million new vehicles added to the world’s roads. Well done. A bicycle and public transport would have actually made a difference.

That brings me to the book that affirmed my thoughts on our epic — but inevitably useless — human battle to change the course of the Earth. John Gray’s Straw Dogs (Farrar, Straus and Giroux) published in 2002 is a book that I keep returning to. As the UK author, Will Self says, “Straw Dogs is that rarest of things, a contemporary work of philosophy devoid of jargon, wholly accessible, and profoundly relevant to the rapidly evolving world we live in.” Gray simply and concisely slices through the human conceit that we are radically different from other animals.

Otherwise I rediscovered Philip Roth especially his wonderfully depressing Exit Ghost (Houghton Mifflin). I also finally got around to reading Roth’s The Plot Against America (Vintage). Denis Johnson’s Tree of Smoke (Farrar, Straus and Giroux) was a great read on long trans-continental flights and Robert Hughes’ memoir Things I Don’t Know (Vintage) was a fascinating read from the man who brought me two favorites, Barcelona (Vintage) and Culture of Complaint (Grand Central Publishing).

————–

Roy Christopher

David Mitchell Cloud Atlas (Random House): This collection of nested-doll stories from 2004 is like exploring an abandoned building via descending staircase, stopping on each floor to read some left-behind letters, a travel journal, or a mystery novel. Like Mitchell’s previous novel, Ghostwritten (Vintage) [also recommended], each section of this one refers to the others. It’s like reading pieces of several quasi
-related books that somehow add up to an engaging whole. I snagged this at Powell’s during my last few days in Portland based on its cover alone.

Sherry Turkle Falling for Science: Objects in Mind (MIT Press): One of the largely unsung voices of the digital revolution, Sherry Turkle has been hard at work for over two decades trying to keep tabs on technology’s influence on our lives. Inspired in the early eighties by Seymour Papert’s essay on an interest in the inner-workings of gears and how it lead him to study math (included in this volume), Turkle has assigned her students at MIT to write a similar piece. Falling for Science collects fifty-one of these essays — by her students and colleagues over the past twenty-five years — explaining how certain physical objects influenced them to pursue a life of science. Legos, bicycles, erector sets, computers, and other usual suspects get their due, but so do shirts, walls, bubbles, and keys (among many other things, both exp
ected and surprising). It’s an interesting look at the subtleties of design, influences (often unintended), science, and inspiration.

Mary Roach Bonk (W. W. Norton): Mary Roach has a knack for finding intriguing book topics (and writing interesting books about them, of course). They’re all slightly askew, but one can easily see how anyone would be interested in them. In Stiff she followed the afterlives of cadavers, in Spook she followed the afterlife of afterlives (ghosts), and in Bonk she, ahem, gets science laid. It’s everything you always wanted to know about sex — if you’re a science geek.

Mikita Brottman The Solitary Vice: Against Reading (Counterpoint): If there were a Bibliophiles Anonymous, this would be its bible. Brottman isn’t actually averse to reading, quite the opposite, but in The Solitary Vice, she explores the reasons that attitudes toward reading have been so historically conflicted. Coincidentally, her book is a damn good read.

James D. Watson Avoid Boring People (Knopf): As marginally interested as I am in James Watson’s Nobel-winning scientific work, I’m finding his memoirs completely enthralling. Here’s one of the co-discoverers of the building blocks of life breaking down his academic career into first-person narratives and — true to its title — easily digestible lists of practical advice, unwritten protocols, and lessons learned. This book proves that Watson’s gift for scientific inquiry is well matched by his wily way with words.

I’m also currently reading and re-reading the following: Gilbert Ryle The Concept of Mind (University of Chicago Press), Jack O’Connell Word Made Flesh (Perennial) [Thanks, Ashley], Terry Eagleton The Gatekeeper (St. Martin’s), Christopher Vogler The Writer’s Journey (Michael Wiese Productions), Etienne Wenger Communities of
Practice (Cambridge University Press), Rebecca Solnit Wanderlust: A History of Walking (Penguin), and Andrew Ortony (editor) Metaphor and Thought (Cambridge University Press).

Obama’s viral timepiece.

These days the advertising and marketing world is all abuzz with phrases such as - Social Media, Social Advertising, Facebook Ads, Mass Media Networking Advertising…..etc, etc.. In the last two weeks I have been a panelist at the L I S A seminar in Portland and the Hawaii MusicTech Conference in Honolulu. L.I.S.A., which is an acronym for Lessons In Social Advertising, was aimed at marketers and advertisers who [for some reason] don’t understand social networks or haven’t yet worked out how to advertise effectively to them. It focused on topics such as ‘What is social advertising?’ and ‘How do you get young people to recommend your brand?’ The Hawaii MusicTech panel discussed how musicians could effectively use social networks such as Facebook and MySpace to reach an audience and communicate with them.

Two sides of the table as it were. One group wants to advertise, or push, their messages to a mass audience, while the other wants to create a network of like-minded people who hopefully will pull content such as free MP3s and then “evangelize” on behalf of the musicians by spreading messages by electronic word of mouth. With no hint of schizophrenia I happily migrate between both camps.

To understand and embrace social networking is to place the idea that says “technology makes this possible” to one side and embrace the idea of the basic human need to stay in touch with other like-minded people at all times. As Clay Shirky says “The desire to be part of a group that shares, cooperates, or acts in concert is a basic human instinct.” Think about rock concerts for a minute…..

Most people that take a position on social networking and advertising come at it from a technological point of view, as in “technology has created the means for everyone to be connected and to stay in touch.” I disagree with that statement because it removes nature from the game. It is entirely natural for humans to want to interact as often as possible as we are all social animals. Cities are no more artificial (technological) than the hives of bees. Therefore the Internet is as natural as a spider’s web. People who believe that technology is driving our interactions are missing the point - we ourselves are technological devices, invented by ancient bacterial communities as a means of genetic survival. Bottom line - social media is as natural as apple pie as we all want to be as connected as possible - we can’t help it. [A really good book from which I have borrowed some thoughts is 'Straw Dogs' by John Gray, professor of European thought at LSE, published in the UK by Granta.]

Online networks might be seen as antidotes to boredom at work, school or college. These new social networks do more than transmit information about their members, they change behaviour by propagating moods. These days we can all share “news” really fast, even about ourselves - for example, my Facebook or Twitter status might say “I’m heading to the beach in Waikiki…” and the mood that simple statement makes might become very contagious.

The Internet confirms what we have all known for a long time - the world is ruled by the power of suggestion but in the case of social networking it is “influencers” that lead the suggesting. Then suggestions might become “group think.” John Gray writes - “in evolutionary prehistory, consciousness emerged as a side effect of language. Today it is a by product of media.”

So, the question currently being asked by companies and advertisers is “how do we market and advertise to social networks?” Having to ask that question suggests the rocky ground that online advertisers are standing on. For instance, Jack Myers sees nothing but doom and gloom in online marketing: He says “Advertising is simply not a sufficient revenue model to sustain content companies into the long-term future.” And goes on -

“I have preached evangelically for nearly three decades about the bifurcation of the media and advertising marketplace into 1) a transactional commodity business model and 2) a relationship-based brand-focused premium marketplace. Most media companies and agencies are investing appropriately in the technology resources required for their transactional businesses. [But] Brand building, relationship-based business models and premium-priced enterprises require completely new and innovative models, and can take years before they generate returns that justify the investments. Industry realities place enormous pressure on executives to adhere to traditional business models, and companies that foster and advance innovation are often drained of resources before they can deliver the return-on-investment demanded by the stock market, equity rights holders and VC investors. Typically, implementation of new business models must be forcefully imposed by the CEO, need the blessing of investors, and they cannot be managed by executives trained exclusively in the ways of traditional media and advertising.”

Neil Perkin in a slideshow entitled ‘What’s Next in Media’ that can be found here says that today - Social Media is counter-intuitive to communications media. Here’s one of his slides that shows just how counter-intuitive things have become for marketing online:

Meanwhile, the old way of marketing is through push messaging and therein lies the mistake of many of today’s marketing managers. Take a look at this slide to see how things don’t stack up nicely into a marketing message or ‘drop’ that has been long planned waiting its turn on the calendar.

The Linear model above reminds me of traditional TV and Print advertising. Some people in advertising and marketing today still view the Internet as a “channel” rather like TV.

Let’s consider another buzz phrase - viral marketing online. The success of YouTube in extending an advertising campaigns length and reach is now common currency. We’ve all seen the videos, perhaps even this one - My girlfriend and the Wii Fit. 2.2 million views and going strong.
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