Girl Talk live in Detroit. Photo – Christos/Detroitartist.org
Gregg Gillis is more well known as the musician Girl Talk. And he believes very strongly that he is a musician and not, as many people have called him, a DJ. If you haven’t heard his work you might wonder why there would be any issue for Gillis but upon hearing his craftily designed songs you will notice that each track is made up of many short snippets of samples of songs that you know you’ve heard somewhere else. On his recent album, Feed The Animals, that he released online Radiohead-style on Illegal Art he told the New York Times that it includes more than 300 samples and that he estimates that each minute of “Feed the Animals” took him about a day to create. That’s a lot of days.
More importantly though his preferred method of “song writing,” i.e. using riffs borrowed from other people’s work puts him front and centre in the debate over copyright law and fair use. His stance is that he is using such tiny samples of other people’s work that he argues his actions are protected under fair use. Not all legal experts agree but so far he has avoided the threat of litigation.
As a musician [I am a founding member of the UK post-punk band, Gang of Four] with my own copyrights I share his stance as I believe that copyright laws have become far too stringent and are now limiting artists’ abilities to be creative. Many people would like to see the law relaxed in certain areas to allow more creativity to spring forth. One area that definitely falls under the term known as gray is the practice of creating mashups. A Mashup in the musical form is exactly what Gillis is doing, literally intermingling or layering beats and samples from various songs on top of and into each other. The end result is surely a completely new work. As Wikipedia puts it – a mashup is a digital media file containing any or all of text, graphics, audio, video, and animation, which recombines and modifies existing digital works to create a derivative work.
Any digital media is open to the process of mashing, and just like a collage, where found images are most commonly rendered onto a canvas, the end result of this creative process should be considered a new original work. There should be no threat of litigation for artists such as Gregg Gillis who create these new works of musical digital art. Go here to hear Gillis in action as Girl Talk and see how many songs you recognize.
In that spirit I post here a mashup that I recently created in collaboration with the musician Jon Ragel who goes by the moniker Boy Eats Drum Machine. Rather than sampling we decided to actually perform the mashup by playing live in the studio on top of sampled drums. The song borrows parts from the artists Talking Heads, Aaliyah, Van Halen and The Cure.
BEDM feat. Dave Allen – Talking Heads/Aaliyah/Van Halen/Cure Mashup [MP3] Click to play, right click to download.
