NEMO Presents: Portland Looking Up -Artwork by Chris Donnelly

Join us Friday, August 7, 2009 for the opening reception of Portland Looking Up – featuring the paintings and carvings of artist Chris Donnelly.

Portland Looking Up will highlight Chris Donnelly’s work of paintings and carvings. The exhibit will focus on Donnelly’s travels through Portland, where he became captivated by the shapes of the industrial water towers, and their contrast to the neighborhoods below.

Discovering Portland by bicycle last summer, Chris noticed the shapes quietly looming overhead. Like floating ships or low-tech space ships at rest just above the neighborhoods, these water towers have a presence. As if monuments from a bygone era, they fade into the landscape despite their size and visibility. These giant vessels venerate our most precious resource. The striking blue sky of Portland summer provides the backdrop for these strong shapes. While strong and industrial looking, their round shapes and patina create a friendly character. Painting these pictures helped Chris get to know Portland.

Full Press Release

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(l to r) @adognamedpants @pampelmoose @motorcoatdave – pic:Cathy Cheney | Portland Business Journal

The Portland Business Journal ran an article today about the head-to-head that the Portland Advertising Federation and their Rosey Awards show is having with the the Noseys, a non-federated, creative community inspired subversive start-up. The Noseys campaign began on Twitter and has been supported solely by the local creative community that objected to the Rosey Awards’ ‘talking smack’ campaign.

The Noseys is a clear example of how ‘owning the message’ online will always be a difficult task. In this case the PAF president, Jerry Ketel of local ad firm Leopold Ketel, embraced the subversive nature of the Noseys campaign and immediately embraced it. The Noseys viral campaign has now moved beyond the web as this article shows.

Synopsis – No money, grassroots, community support, Flickr and Twitter = Nosey Awards

@noseyawards @adognamedpants @motorcoatdave @pampelmoose

Nike Stages a Takeover of Fuel TV for 6.0 Line

Starbucks Drops Name on Seattle Store and adds Alcohol

Razorfish Study Says Brands Aren’t Doing Enough to Engage Consumers on the Social Web

Music Critic Curmudgeon Tells Blogs and Twitter to Get Off His Lawn

GE Smart grid yields net-zero energy home

How Not To Use Twitter Author Alice Hoffman Takes a Beating from the Twitterverse

“Facing the Future” as delivered by HRH The Prince of Wales, St James’s Palace State Apartments, London

From the Who, How, Now series, Bonus parts four and five.

Bryce Kanights shares memories from his early days skating with San Francisco crew the Sick Boys, his first years at Thrasher Magazine, and what skateboarding is to him.

Bryce Kanights- Bonus- Part 4 from Nemo Entertainment on Vimeo.

Bryce Kanights explains his passion and dedication to skateboarding, shares his time capsule of magazines and memories.

Bryce Kanights- Bonus- Part 5 from Nemo Entertainment on Vimeo.

Part three from the Who, How, Now series.  Bryce Kanights takes his dog to the park, then meets up with Chet Childress to skate.

Bryce Kanights- Part 3 of 3 from Nemo Entertainment on Vimeo.

From the Official Google Blog:

Introducing the Google Chrome OS
7/07/2009 09:37:00 PM
It’s been an exciting nine months since we launched the Google Chrome browser. Already, over 30 million people use it regularly. We designed Google Chrome for people who live on the web — searching for information, checking email, catching up on the news, shopping or just staying in touch with friends. However, the operating systems that browsers run on were designed in an era where there was no web. So today, we’re announcing a new project that’s a natural extension of Google Chrome — the Google Chrome Operating System. It’s our attempt to re-think what operating systems should be.

Google Chrome OS is an open source, lightweight operating system that will initially be targeted at netbooks. Later this year we will open-source its code, and netbooks running Google Chrome OS will be available for consumers in the second half of 2010. Because we’re already talking to partners about the project, and we’ll soon be working with the open source community, we wanted to share our vision now so everyone understands what we are trying to achieve.

Speed, simplicity and security are the key aspects of Google Chrome OS. We’re designing the OS to be fast and lightweight, to start up and get you onto the web in a few seconds. The user interface is minimal to stay out of your way, and most of the user experience takes place on the web. And as we did for the Google Chrome browser, we are going back to the basics and completely redesigning the underlying security architecture of the OS so that users don’t have to deal with viruses, malware and security updates. It should just work.

Google Chrome OS will run on both x86 as well as ARM chips and we are working with multiple OEMs to bring a number of netbooks to market next year. The software architecture is simple — Google Chrome running within a new windowing system on top of a Linux kernel. For application developers, the web is the platform. All web-based applications will automatically work and new applications can be written using your favorite web technologies. And of course, these apps will run not only on Google Chrome OS, but on any standards-based browser on Windows, Mac and Linux thereby giving developers the largest user base of any platform.

Google Chrome OS is a new project, separate from Android. Android was designed from the beginning to work across a variety of devices from phones to set-top boxes to netbooks. Google Chrome OS is being created for people who spend most of their time on the web, and is being designed to power computers ranging from small netbooks to full-size desktop systems. While there are areas where Google Chrome OS and Android overlap, we believe choice will drive innovation for the benefit of everyone, including Google.

We hear a lot from our users and their message is clear — computers need to get better. People want to get to their email instantly, without wasting time waiting for their computers to boot and browsers to start up. They want their computers to always run as fast as when they first bought them. They want their data to be accessible to them wherever they are and not have to worry about losing their computer or forgetting to back up files. Even more importantly, they don’t want to spend hours configuring their computers to work with every new piece of hardware, or have to worry about constant software updates. And any time our users have a better computing experience, Google benefits as well by having happier users who are more likely to spend time on the Internet.

We have a lot of work to do, and we’re definitely going to need a lot of help from the open source community to accomplish this vision. We’re excited for what’s to come and we hope you are too. Stay tuned for more updates in the fall and have a great summer.

Posted by Sundar Pichai, VP Product Management and Linus Upson, Engineering Director

In my part-time alternate life as a consultant, I have often pondered why a person chooses to buy a Billabong sweatshirt as opposed to a Quiksilver one. The choice is not an obvious one. The products themselves are essentially the same. The name is the only real difference. The gradient between one and the other is an infinitesimal pattern of grey, yet the decision — and millions more exactly like it — happen everyday.

Jonah Lehrer has emerged over the past few years as neuroscience’s strongest and most interesting voice. His Proust Was a Neuroscientist (Houghton Mifflin Harcourt, 2007) is as smart and fun a mix of the Two Cultures as you’re likely to find. With his spot as Seed Magazine’s Editor at Large and a contributing editor gig at Wired, Lehrer is poised and positioned to inform the public about brain science like few others ever have been.

With How We Decide (Houghton Mifflin Harcourt, 2009), Lehrer turns his attention to the marketplace and how our brain power influences our buying power. Peter Merholz wrote that it was clear that Lehrer had “attended the Gladwell school of non-fiction writing, anchoring his facts in stories.” Maybe it was a compliment, but having recently read Gladwell’s latest book (the sometimes quite interesting but ultimately nearly pointless Outliers), I prefer Lehrer’s prose. It’s clear, concise, and lyrical, and at least I know there’s some science behind it.

The traditional wisdom says that we make important decisions by relying on the rationality of the logical brain to override the “animal stuff” (as Howard Bloom calls it) of our emotions and instinctual drives. In How We Decide, Lehrer contends that the process is a bit more nuanced than that. It’s a subtle dance, a process of bend and blend that depends on the situation. Well, it’s not quite that simple either, but Lehrer’s book often makes it all seem so. It ends with a “taxonomy of decision-making,” which helpfully applies many of the book’s anecdotal dilemmas to practical, real-world situations.

Coming to the brain and purchasing decisions from a different angle, Geoffrey Miller’s Spent: Sex, Evolution, and Customer Behavior (Viking, 2009) argues that it’s all just so many peacock feathers. Miller is an evolutionary psychologist, so his lens is longer than Lehrer’s, but doesn’t mean he sees the situation any clearer or in higher relief. Like Lehrer, he writes to be read, but where Lehrer;s prose is positive, Miller’s negativity seeps into his sentences. His wit is by turns playful and biting, veiling and betraying a deep-seated cynicism toward the consumer capitalism he’s analyzing.

Miller writes like he’s the first academic to discover the field of marketing, as if Stewart Ewen, Douglas Rushkoff, and Marshall McLuhan (!), among many, many others hadn’t already upturned similar soil. In addition, his arguments smack of psychoanalytic reasoning (i.e., many of our purchasing decisions are driven by the libido and thereby illustrate material sublimation, many others are driven by narcissism, etc.) dressed up in evolutionary garb: We buy stuff to advertise our potential to each other as possible mates, sexual and Platonic. It’s certainly not all bad or bland though. Miller’s idea of “fitness faking” (about which I’ve written before) makes a brief appearance, and his “Exercises for the Reader” (similar to Lehrer’s concluding taxonomy) are a nice touch of pragmatism more science books could use.

After having read both of these books, I don’t feel any closer to understanding the Billabong/Quiksilver dilemma, but as Miller writes on the very first page of Spent, echoing McLuhan, “consumerism is hard to describe when it’s the ocean and we’re the plankton.”

Bryce Kanights- Part 2 of 3 from Nemo Entertainment on Vimeo.

Mourning In America from Political Irony

Ok, celebration time again, this time as a fundraiser – NEMO presents Mixed Mania, a benefit exhibit for Burnside Skate Park, opening Friday, June 26, 2009, 7-11pm. The show will run through Monday, July 31, 2009 at NEMO: 1875 SE Belmont Street in Portland, OR.

Artists include: Jon Humphries, Chet Childress, Gus Van Sant, Rick Charnowski

Reception follows Red Bull Manny Mania Amateur Finals, 1pm at Pioneer Square

Bryce Kanights- Part 1 of 3 from Nemo Design on Vimeo.

Bryce’s work will be part of the Mixed Mania exhibition at Nemo Friday June 26th – details here.

Once again, Twitter leads me to a great article. It is hard to believe that some people still “don’t get” Twitter but when I use it as I feel it is best used, as a business tool, it is incomparable for exposing me to some great thought leaders. Unlike RSS feeds, by following certain people on Twitter I find the good stuff that’s important to me more directly.

Today’s example is via Jay Rosen @jayrosen_nyu – here’s his Twitter profile – “I teach journalism at NYU, write the blog PressThink, direct NewAssignment.Net, and try to grok new media. I don’t do lifecasting but mindcasting on Twitter.” In the somewhat twisted vernacular of 140 characters he tweeted the following – “Right on, @AmandaRMichel. “Redundancy is a network fact-checking tool.” See her essay on OffTheBus: http://tr.im/pJu3 Learn, @ivortossell.”

I followed the link. The article that was linked to at the Columbia Journalism Review is called Get Off The Bus and it is a fascinating overview of the future of journalism. As Amanda Michel writes – “OffTheBus (OTB) [is] a citizen-powered campaign news site co-sponsored by The Huffington Post and Jay Rosen’s NewAssignment, at New York University’s Arthur L. Carter Journalism Institute. Inspired by Timothy Crouse’s The Boys on the Bus, which chronicled a campaign’s ability to manipulate the press, we instructed our citizen journalists to steer clear of the horse race and the top-down coverage that dominates the mainstream press.”

For anyone interested in the decline of newspapers and how journalism will morph into the future you could do worse than follow Rosen. Insights like this are worth following him for – another tweet of his – “In 1976, 27% had a great deal of confidence in our press; in 2006, 4.5% did. During this time journalists became far more educated. So: WTF?”

Get Off The Bus is a must read too.

Follow me on Twitter and Nemo on Twitter.

From PCPA web site.

David Byrne comes to raise the hair on your arms and the sweat on your palms. Eno and Byrne have made a new record, Everything that Happens will Happen Today, their first in 30 years—the formula was lost, but now it has been found. Byrne and Eno began their artistic relationship in the late seventies with 3 Talking Heads albums, followed by their groundbreaking album My Life in the Bush of Ghosts. Songs from all of the above will be performed in this concert, but not in that order.

David Byrne is well known as the musician who co-founded the group Talking Heads (1976–88) in New York. On record and in concert, the band was acclaimed by critics and audiences alike; more importantly, however, they have proven to be extremely influential. Talking Heads took popular music in new directions, both in terms of sound and lyrics, and also introduced an innovative visual approach to the genre. In 2002 Talking Heads were inducted into the Rock and Roll Hall of Fame. In 2003, Talking Heads released a lovely boxed set which includes a DVD of all the band’s videos. In 2005 a Brick was released with the complete studio catalog on dualdisc with previously unreleased audio and video material.

Brian Eno is not performing on this tour

On his blog Marketing | Truth, Mark Olson has a very interesting post that includes opinion from some like-minded smart people discussing the notion of authenticity vs authority across the social web. I left a comment of my own over there but I felt my initial thoughts may be worth expanding upon here.

In the comment, I ask first “Is social media marketing now just a channel where marketers are missing out on the Social Web?” My argument being once someone opens a browser they are participating in the social web. Also, as heated discussions arise around the idea of real-time search and its value versus indexed search, where experiential awareness and reputation management become all important, where does authority and authenticity fall in user perception?

Seth Godin kicks things off and arguably takes the laurels with his short, incisive paragraph:

“If it’s a word game, then authority wins, because authority is about the perception of the consumer. If they believe you are an authority, you are. In the long run, of course, authenticity will trump it, because your authority fades without it. The converse is not true. And yes, it’s a word game.”

Brian Solis has his say too. Anyone who cares about the idea of web communications, PR 2.0 along with social media marketing and advertising must know Brian Solis.

At its heart my response was really just my thoughts based around their opinions. Here is my comment [slightly edited]:

“Seth Godin begins his smart, short answer with “If it’s a word game…” as if planting a stake in the ground. He knows it is a word game and he knows that we know it too. Brian Solis proposes a list of new definitions but the problem is that they are more words. He suggests switching out new definitions such as ‘believability’ for ‘transparency’ where transparency is already perfect; transparency says it all very clearly, whereas believability makes me think of the possibility of opaqueness.

This search for ‘authenticity or ‘authority’ is an extension of television in my mind – who would we trust to read us the news? In the past it was always well spoken, handsome, gravelly-voiced white men. It is no coincidence that we view the web through the same lens, a rectangular screen, but it’s worth remembering that technology simply shortens the distance between us. As Marshall McLuhan has written “any history of technology is filled with unexpected reversal of form resulting from new advances.” Now we have the social web.

Arguably what is being discussed here is how web users are searching for the authoritive newsman of yesteryear amid a sea of millions of “wanna be” bloggers and celebrities – and yet they are all looking in the mirror! Everyone is a celebrity these days so, as Seth rightly says “authority is about the perception of the consumer…” The TV newsreader had no more authority than the next newsreader, it was the viewers’ perception that gave them rank.

As a member of a famous UK post-punk band I started a music and mp3 blog three years ago, Pampelmoose, and watched it build in unique viewers over the years to its current 150k + a month. I never had to try. I apparently was perceived as authentic and therefore I was “given” authority by my readers and peers. And yet I am more interested in finding the people who don’t read my blog – I’d like to know if they don’t think I’m an ‘authority’ or perhaps it’s simply that they don’t care for what I write about – those are two distinctions worth mulling over.

I am Community Manager at Nemo where I spend a lot of time thinking about and researching the social web. I write posts and essays that are published on the Nemo blog and about one year ago wrote this one – ‘On Social Media, Blogs and Advertising’ in which I embrace nature over technology.

I align myself with John Gray’s position that we are all technological beings – as I wrote – “Most people that take a position on social networking and advertising come at it from a technological point of view, as in “technology has created the means for everyone to be connected and to stay in touch.” I disagree with that statement because it removes nature from the game. It is entirely natural for humans to want to interact as often as possible as we are all social animals. Cities are no more artificial (technological) than the hives of bees. Therefore the Internet is as natural as a spider’s web. People who believe that technology is driving our interactions are missing the point – we ourselves are technological devices, invented by ancient bacterial communities as a means of genetic survival”

In other words once we realize that technology merely shortens the distance between us, and while ’social networking’ online we are simply engaged in the same activity that we pursue offline, perception, then, ought to be almost identical – in conversation with an opinionated person in a bar for example, we can quickly do the gut check and decide if he or she is full of it or an actual authority on the subject.

Any normal person therefore ought to do the same thing when they come across a blog or someone’s Tweets, Facebook page et al – use the gut check or better still Google them or tweet search them.

And suddenly there’s a new tool in the crowded social web field – FaceBook vanity urls – now a person can own their own brand, albeit on Facebook…. Apparently Facebook has developed an Open Stream API that will allow a ‘friend’ to follow streams of interest or to comment on comments back in to the stream… we are all ‘celebrities’ now and authenticity and authority will be determined by our followers’ perception of our reputation management and experiential awareness. Marketers will now, more than ever, have to own the message or the message will own them.

Related Posts:

Brian Solis – A Soliloquy On The Universal Language of Social Media

SEO and SEM as You Know It Will Be Dead in 6 Months

Thoughts on the Social Web

Strategy For Authenticity

After the Dominos Pizza fiasco you would think that companies would have jumped at the opportunity to protect their brand values online. If executives at your company baulk at hiring a Community Manager you should point out to them that the salary involved in the position should be considered an insurance premium. Community Manager is a full time 24/7 job – scraping the web for all mentions of your company brand and putting out fires where they flare up, and applying praise and support to those who evangelize your brand.

Case study: [Transparency - In 1999 I was GM at eMusic.com]

On June 1st eMusic.com, an online independent music subscription company that offers passionate music fans a smorgasbord of offerings from some of the best independent music labels in the world for a monthly subscription fee, sent out a press release announcing that it had acquired the rights to the BMG/Sony Music back catalog. With that news came a shock for those passionate music loving customers of eMusic – there would be a substantial rate hike for the service. Whether those two statements were meant to be announced simultaneously or not, and and even if it was coincidental, the results were fascinating. The web lit up with thousands of comments from angry eMusic subscribers and influential bloggers picked up the story and ran with it.

Here’s a few links:

eMusic’s web site with message and 800+ comments.
The Phoenix New Times newspaper – headline Sony Ruins eMusic’s Indie Credibility, Raises Rates
HypeBot – eMusic Readers React to Sony Addition
Swindleeeee leaves a post

Updated to include new eMusic response.

Today is currently day 4 of eMusic taking the heat online and their response has been lukewarm. Their blog has 800+ comments and most of them are not pleasant to read should you work there. The main response so far is from Danny Stein, eMusic CEO and Chairman, who wrote what can only be described as a puff piece here. A great Community Manager would have advised the executives on how to handle the story, instead the CEO started a forest fire that is now burning fiercely.

What eMusic should have done:

1) They should have hired a Community Manager to be in charge of their subscriber customer service online
2) They should have polled their customers first, perhaps with a message like this – “We are thinking of acquiring the Sony Music back catalog and in doing so this will cause a significant hike to our fee structure. Would you enjoy access to Sony Music catalog at a higher price? Or would you prefer a two-tiered pricing system where you can choose to not have access to major label catalogs? Please let us know.”
3) They ought to have responded to the first outburst of negativity quickly and concisely.
4) They should have listened to what their customers were saying and reacted to that story rather than defending the Sony Music deal.

eMusic is a great music service with passionate subscribers and I sincerely hope that they recover quickly from this fiasco and continue to serve their customers well. They should also hire a Community Manager – it works well for Comcast for instance – see below.

David Lynch and his team have traveled 20,000 miles across the USA over 70 days and come back with interviews with hundreds of people. It is called Interview Project and you can see a preview at that link at the moment with the whole thing launching on June 1st.

Just down Belmont St from Nemo the ‘billboard bomber’ has struck adding a pair of eyes to the burger and subtly altering the name of the ‘value meal.’ Can’t wait to see what’s next…

Nemo show “Beneath the Surface” 5/1/09 from Todd Templeman on Vimeo.

If you live or are visiting Portland, follow Nemo on Twitter for our event updates – @NemoHQ

BENEATH THE SURFACE: FLORA, FANTASY & FABLE IN SURFACE DESIGN

PORTLAND, OR — NEMO and Pattern People present BENEATH THE SURFACE: Flora, Fantasy, and Fable in Surface Design, May 1st through May 31st.

Opening Reception, Friday, May 1st, 6pm to 10pm, with Music provided by Spencer Product.

BENEATH THE SURFACE is curated by surface design studio, Pattern People, and highlights the work of influential, contemporary surface designers through the mediums of wallpaper, prints, and 3-dimensional objects. The work presented demonstrates how patterns can give dimension to an otherwise flat surface and create a world that pulls in the viewer. Focusing on escapist and fantastical themes, the exhibit features utopian landscapes, folkloric fables, and interpretations of magical inner journeys.

The exhibit includes designers from the U.S, Japan, Finland, Germany, Sweden, and the U.K:

Anna Giertz, Chelsea Heffner, Dan Funderburgh, Deanne Cheuk, Eno Henze, George Moskal, Joanna Bean, Jo Hamilton, Katrin Wiens, Kinpro, Kustaa Saksi, Laundry Studio, Linn Olofsdotter, Marc Curtis, Michael Leon, Mike Perry, Nama Rococo, Osmose, Pattern People and Timorous Beasties

For show details please click here.

About Pattern People:
Claudia Brown and Jessie Whipple Vickery are Pattern People, a surface design studio based in Portland, Oregon. Pattern People creates prints for fashion, products, and interiors. Their designs and illustrations have been featured in “Devils in the Detail” by Page One Publishing, “Patterns” by Drusilla Cole and “Simply Pattern” by Viction:ary. Pattern People Web Site
Contact Pattern People

Click to watch…

Tacky Souvenirs of Pre-Inaugural America.

“As Ice-T implies, the thing called authenticity seems self-evident: obvious in its presence, glaring in its absence. As a question of being true—to beliefs, institutions, and traditions—authenticity strikes many as worth defending, or mourning. The epitaph “Hip-hop is dead,” for instance, is almost as old as hip-hop. Typical is the reaction of Ice-T, a rapper since the heyday of beatboxing, against Soulja Boy Tell ’Em, who’s still too young to drink. Soulja Boy, who produced his breakout singles in a home studio and became famous through social-networking sites, is emblematic of a new and notably independent moment in musical promotion. But to Ice-T’s aged ears, he’s complicit in the desecration of hip-hop’s authentic essence—the raw sound, the social message—in favor of the saccharine hook.

……authenticity today, in the expanded field of media, is more deeply in crisis. This crisis does not involve mere negation, but inversion. Inauthenticity, which looks a lot like the opposite of authenticity, is actually its successor—or its mirror.”

David Lynch and Singer/Songwriter Moby discuss “Wait For Me” Moby’s new album influenced by David Lynch, the song “Shot in the Back of the Head”, and their collaboration on the accompanying music video. Oh, BTW, they also both like old factories.

Watch the David Lynch directed video for Shot In The Back of the Head.

I came across a post on the Creative Review Magazine’s CR Blog entitled U2 Linear: it’s not a music video. And indeed it is not. It is a short movie commissioned by the band and directed by Anton Corbijn.

This is a great idea. I have an aversion to the music of U2, although I have been a fan in the past, but I enjoy Corbijn’s work immensely. In the No Line On The Horizon [Box Set] [Limited Edition] [CD/Poster/Book/DVD] edition of U2’s latest album you will find the movie Linear and here’s the interesting part – “It is not an extended music video or a U2 documentary, it’s a new way to listen to a record – a new way to use film to connect to music,” claims Corbijn.

Click on image to see an excerpt from Linear.

Corbijn is right when he says it is a new way to listen to an album. His idea fits neatly alongside my idea of The Music Album as The End of The Organizing Principle. I argue that musical artists are free these days to explore the delivery of music well beyond the boundaries of the CD and its artificial restrictions. It is nice to find myself playing in the same sandbox as U2 and Anton Corbijn.

The University of Oregon in Portland is showing a free screening of the documentary ‘Copyright Criminals’ and I have been invited to interview the director afterwards. The documentary takes a look at the many hurdles that hip hop artists, DJs and producers have to overcome to use samples of other peoples work in their ostensibly new or reworked versions of classic songs and beats. Those interviewed in the documentary include – Chuck D of Public Enemy, James Brown’s drummer Clyde Stubblefield and co-founder of the Creative Commons Larry Lessig. It also includes performances from Run DMC, The Beastie Boys, Grandmaster Flash and more….

Wednesday April 15 @ 6 PM No Charge and open to the public.
The University of Oregon in Portland
White Stag Block
70 NW Couch St, Portland Oregon

“an amazing documentary on the history of sampling…it kicks
you in the head with how radically the sampler redefined
music…” Blender Magazine

Co-sponsored by the UO Portland Library & Learning Commons and the Portland State University Sociology Club. Promotional considerations by KPSU.

Slagsmålsklubben – Sponsored by destiny from Tomas Nilsson on Vimeo.

A Time For Lions: Artwork of Blake Britton and Jonny Fenix

PORTLAND, OR – Nemo presents A Time For Lions, with the artwork of Blake Britton and
Jonny Fenix, a photo exhibit opening on Friday, April 3, 2009 6-10pm. The show will run through
Monday, April 27, 2009 at Nemo: 1875 SE Belmont Street in Portland, OR. The opening
reception includes a special musical guest.

A Time For Lions, may be a call to action in response to the incomprehensible, unjust and
unconstitutional, which both Britton’s and Fenix’s works address. Though similar in its question, their
work is vastly different in application. Fenix takes a playful, satirical approach to the contradictions
of mass media and the realities they gloss over. While Britton’s works have more traumatic
manifestations of a world experience. Both artist implicate themselves, their privileges and their loses in their work, making more multidimensional pieces that invite the audience to question their role in these inconsistencies.

Blake Britton was born in Phoenix, Arizona in 1978. He has spent the time since observing the
relationships between humans and their existence while studying the craft processes of the past. His
current work he examines the social paradigms that exist within our own culture and brings into
question the complacency of free thinkers, entitled mongers, and the otherwise forgettable bravado
we encounter daily. The work serves him as both question and statement, as ambiguous as truth, as
heavy as feathers. He currently lives with his wife and cats in Portland, Oregon where he works a
freelance artist and prop maker for film. His work has shown in Los Angeles, Phoenix, Philadelphia,
and Portland among other places.

Jonny Fenix was born in Nacogdoches, Texas in 1973, and currently lives in Portland Oregon. He
walks the world with his daughters and wife and wonders why mankind isn’t. Why is man’s push to
extinguish rudely everything natural? Quietly screaming. From neither school nor the streets, he spent his boyhood in the desserts of Arizona thinking to himself, “this looks like the bottom of the ocean”. Researching everywhere, he attempts to create what his mind sees. Artwork, furniture, sculpture, letters to friends, they are the same and loaded. Soft but Sharp. Pretty and Painful. To say nothing is not possible. His work has shown in Chicago, Los Angeles, Miami, Philadelphia and New York.

According to Mediafinder, 525 U.S. magazines shut down in 2008. So far in 2009, 40 more have ceased publication. Regional and travel titles were hit the hardest, followed by the home and automotive categories.

While some well-known titles like Domino and Country Home have shut down completely this year, many more including Playgirl and PC Magazine have switched to publishing online-only versions.

Part of these magazines’ demise can be blamed on the rise in popularity of online content including blogs. Since news and everything else can be published online almost instantaneously, a monthly magazine just doesn’t have the same pull that it once did.

Compounding the decline in magazine titles is the economy. Since much of the content that Americans seek online is free, paying upwards of $5.00 for a magazine just doesn’t seem appealing. And, who can blame the consumer? Whereas magazines once felt like a necessity, they are starting to feel like an unnecessary luxury.

American Blur: Photos by May Juliette Barruel and Tamar Monhait

Friday, March 06, 2009 6-10pm. Free admission. Complimentary Wine & Beer.

PORTLAND, OR — NEMO presents American Blur by May Juliette Barruel and Tamar Monhait, a photo exhibit opening on Friday, March 06, 2009 6-10pm. The show will run through Wednesday, April 01, 2009 at NEMO: 1875 SE Belmont Street in Portland, OR. The opening reception will include special musical guest, Sigmund Henry.

american pie. american eagle. american literature. american football. american cars. american dream. american english. american flag. american express. american dollar. american airlines. american idol. american frontier. american pitbull. american presidents. american blur. American Blur examines the images that make-up the “American” consciousness both individually and collectively. Barruel and Monhait exhibit work that creates the feeling of an overwhelming barrage of the social and physical landscapes identified as “American.”

May Juliette Barruel holds a master of arts degree in American Literature from l’Université de Paris Sorbonne Nouvelle and a professional certificate from New England School of Photography in Boston, Massachusetts. A native of Grenoble, France and a resident of Portland, Oregon since 2000, she works as both an artist and curator. As an artist, she creates textile-based work that addresses the themes of nostalgia, obsession and loss in an intimate and often voyeuristic fashion. Her photography reflects the dreamy experience of her foreign eyes in America. As a curator, Barruel has been responsible for Stumptown Coffee Roasters’ downtown gallery since 2006. She has exhibited work by: Portland artists Ty Ennis, Paige Saez, Nicholas Pittman, Norm Sajovie and Alex Steckly; San Francisco photographer Jeff Warrin; and Los Angeles filmmaker William Haswell. Barruel also owns Nationale, a shop and gallery on Portland’s east side.

Tamar Monhait is a multi-disciplinary artist based in Portland, Oregon. She was born and raised in Chicago and has spent time between the two cities studying Electrical Engineering and Art. Her work explores process, ritual, music mathematics, technology, and time. She has participated in group shows at Disjecta, Hall Gallery, PNCA, Mark Woolley, Jace Gace, and the Newberg Gallery at the Glasgow School of Art. She also had solo exhibitions at Stumptown Downtown.
_ _ _
NEMO is a Portland-based integrated branding, marketing and design shop. NEMO’s capabilities include brand strategy, design, motion graphics, interactive development, film, video, print and photography production. NEMO is at 1875 SE Belmont Street in Portland, OR.

Simon Hoegsberg’s latest image is 100 meters long. There are 178 people in the image that was shot over 20 days from the same spot on a railroad bridge on Warschauer Strasse in Berlin during the summer of 2007. It is fascinating. Look for the two people who both have bandages over one eye – weird. Here’s the link. Mouse over the slide to make it move from left to right.

Found on Twitter from bjmin

The NY Times First Look blog has a post about the new prototype article skimmer. Its a discussion about spreading out the Sunday Times across the computer screen -

“Instead, our focus was on the fundamentals of the experience. It is empowering to spread so much information out on a table, so we spread as many stories as we can fit into the space of your screen. It is easier and more relaxing to scan a surface of information than flip through a stack, so information is laid out in a rigid two-dimensional grid. The sections do not flip into place; instead, they slide up and down. If you want to imagine the whole of the content as a giant uncut scroll of paper, don’t let us stop you.”

Check it out.

Found on Twitter from @Marshallk

Click image to play and David will fill you in….

The Associated Press is asserting that it has copyright in the original photo that Shepard Fairey transformed into an iconic poster image for the Obama campaign. Fairey’s legal eagles are claiming fair use. Story here.

The guys from Droga5 look a little confused…

For the first NemoHQ First Friday Party of the year we are pleased to host a Danielle Levitt book signing. [See announcement below.] We will provide wine, beer and a DJ plus we will have a special guest or two. As always entrance is free and open to all.

WE ARE EXPERIENCED by Danielle Levitt
PORTLAND, OR – Nemo Design and powerHouse Books are pleased to present WE ARE EXPERIENCED, a collection of photographs from Danielle Levitt’s newly published book of the same title. The opening event and book signing will take place on Friday, February 6, 2008 from 6:00pm- 10:pm. The show will run through Monday, March 02, 2008 at Nemo Design: 1875 SE Belmont Street in Portland, OR.

Danielle Levitt arrived at her distinctive photographic style capturing street fashion, pop culture, and celebrity for countless publications. While producing this commercial work, Levitt also pursued her passion for documenting American youth. The result is We Are Experienced, Levitt’s first monograph, a series of portraits depicting adolescents in a variety of urban, suburban, and rural settings, as individuals and in groups, loaded with signifiers both mainstream and marginal.

Book cover

We Are Experienced includes football stars, anorexics, wiccans, punks, prom dates, snowboarders, and baton twirlers. Levitt revels in the beauty of the age and its incomparable potential. She also exposes an advanced awareness particular to a generation. The notion of strident youthfulness was invented in the last century; today it is an understood quantity, a streamlined experience. Levitt’s subjects are well-schooled in the expectations, limitations, and developmental strategies of growing up American, and have unparalleled resources to identify in a multitude of ways. We Are Experienced is a lushly stylized archive of the choices they make.

Danielle Levitt is a New York-based photographer with a wide following in the fashion and art worlds. Her work has appeared in numerous publications including The New York Times Magazine, GQ, Arena Homme Plus, and New York magazine. Her photographs have been exhibited at the Cynthia Broan Gallery, C&M Arts, and Riva Gallery, New York, and most recently at Sweeney Art Gallery in Riverside, CA.

See a review of Danielle’s book published in Newsweek here.

Team,

I am sure all of you saw my letter last week sharing something very personal with the Apple community. Unfortunately, the curiosity over my personal health continues to be a distraction not only for me and my family, but everyone else at Apple as well. In addition, during the past week I have learned that my health-related issues are more complex than I originally thought.

In order to take myself out of the limelight and focus on my health, and to allow everyone at Apple to focus on delivering extraordinary products, I have decided to take a medical leave of absence until the end of June.

I have asked Tim Cook to be responsible for Apple’s day to day operations, and I know he and the rest of the executive management team will do a great job. As CEO, I plan to remain involved in major strategic decisions while I am out. Our board of directors fully supports this plan.

I look forward to seeing all of you this summer.

Steve

Found on Boy Genius.

[Update] – New York Times story.

We gave a group of students from AIGA PSU a tour of the NemoHQ shop yesterday and they were stoked! We sent them on their way with some cool stickers and T-shirts and they got back and posted all their photos to Flickr. Check them out here.

I can’t believe that I haven’t heard about this one before. The Playmobil 3172 Security Checkpoint “toy” got some of the most flailing criticism on its Amazon product page that I’ve ever seen. Here’s a sample:

The IDF’s Citizen Press Conference

Just in case there are those of you out there who still think that Twitter is a fad, it’s worth pointing out that the Israel Defence Forces conducted a news conference via Twitter. They called it a ‘Citizen Press Conference.’ There is also a YouTube channel run by the IDF too. I get the feeling that Twitter is here to stay.

From the NYT – “The Israel Defense Forces, recognizing that success in neutralizing the Hamas movement in Gaza is as much a public relations challenge as a military one, has enlisted an arsenal of Internet tools to take their message directly to a global audience. There is a military channel on the video-sharing site YouTube where you can watch suspected Hamas sites being obliterated by ordnance; blogs that spread the message of the foreign affairs ministry; and in the newest wrinkle, a news conference conducted through the microblogging service Twitter.”

Read the article here.

Red is the new black? Nope – less is the new black

Everywhere one looked recently on the blogosphere, especially social media blogs, the ever-so-informed pundits were banging out their year end lists around mid-December and by today the 2009 predictions/trends/forecasts lists were rapidly turning from a flurry to a blizzard. [US-based bloggers, especially on the East coast, are panicking as the clock ticks down to Midnight.] So I give thanks for two forecast contrarians – Ana Andjelic and Fred Wilson.

Ana Andjelic runs the I Love Marketing blog where she posted ‘The Problem With Forecasts.’ When a post begins like this: “The end of the year is known for releasing “best of” / “worst of” lists, forecasts, & trends that will “shape” the next year. While I heart lists, it’s the trends that I found real dumb. And no, I am not alone in this. Predictions usually go from plain ridiculous to rather obvious and to those that are there for shock value – “blogging is dead”, “podcasting is dead” that no one but Armano really takes seriously.” You know you’re in for a fun read. She’s spot on.

From there I linked to Fred Wilson’s A VC blog where he posted not a forecast list but a wish list of what he’d like to see happen in 2009. Two interesting wishes are 1. a $1.50 gas tax which I agree with and 2. a request of Apple – “I just want Apple to come out with an aggressively priced touch screen mobile computer that can be used to read books, blogs, watch movies, listen to music, and work as a home remote too. This is a huge opportunity for them and others too.”

And by the way, I found both these blogs via Twitter which I have been using more and more as a business tool lately – finding I can’t live without it these days..

So, having written the above I will now throw caution to the wind and present you with a 2009 forecast that is only marginally tongue in cheek. Here’s my baker’s dozen:

Malcolm is thinking about a new book

01. Malcolm Gladwell will publish another book.
02. The New York Times print edition will continue to arrive on my doorstep.
03. It will be cold and wet when I arrive at the Oregon Coast tomorrow.
04. “Feels free” will take a hold. [I've been waiting for this since my time at Intel in 2000.]
05. The CD business will continue to shrink but the music business will grow.
06. Art will be smaller, leaner, cleaner.
07. Consumer products will be simpler – see the Flip.
08. Socially conscious projects such as public housing will thrive under Obama.
09. Blogs will not die.
10. Twitter will see a huge growth spurt and continue to have growing pains.
11. U2’s new album will be as boring as the last 3 or 4 have been but will sell millions.
12. The rich will continue to cut back on their mistresses.
13. And finally, less is the new black.

Got your own 2009 trends, forecasts or wishes list? Post it in the comments section…

Portland electronic duo, Little Hunks

Social Cache is but one window into the world of Nemo HQ. The multi-talented Nemo designer, fashionista and blogger Nubby Twiglet and myself post up to Social Cache as often as time will allow between posting to our respective blogs NubbyTwiglet.com and Pampelmoose. The Nemo blog world also includes StudioNemo and Roger Bridges’ Strange|Beautiful and all these blogs feed the Nemo cultural hopper.

Another spin-off is the Pampelmoose New Music Hour that airs twice a week on 94.7FM KNRK, Portland’s biggest alternative radio station. The show is dedicated to bringing the on-air audience as much of the best new music we can squeeze in to an hour as well as playing as much local Portland music as we can. All the songs are then posted to Pampelmoose and archived for streaming or downloading.

This is the final 2008 Pampelmoose edition of the New Music Hour on Portland’s 94.7FM and it’s time to take stock of all the great music that I’ve been able to play from Portland’s vibrant music scene. I have 14 songs from some of Portland’s finest. They are by no means ranked in any order, nor are they songs necessarily from ‘08 releases, just a selection from many songs that I could have played. The choice was difficult but having room for only 14 bands forced my hand. To those that didn’t make the list be assured that in ‘09 you will be played on the show and maybe the list will be longer next year and I can accommodate more bands…just keep the great music coming.

Hockey – Song Away
Starfucker – Holly
Little Hunks – Came To Party
Lackthereof – The Columbia
Holy Sons – The Feral Kid
Peter Broderick – With The Notes In My Ears
The Mint Chicks – 2010
Red Fang – Reverse Thunder
The Shaky Hands – We Are Young
James Low – American Dream
The Wherewithals – The Point
Bark Hide and Horn – Change It
Loch Lomond – Blue Lead Fence
Microfilm – Fox And His Friends

Stream or download all the previous Pampelmoose 94.7FM shows here.

The pop star and the professor … Mike Skinner talks to John Gray. Photograph: Suki Dhanda

Mike Skinner and me have some things in common – we are both well-known musicians; me as bass player for Gang of Four and he performing under his moniker The Streets, although he is arguably more popular. That aside I now find that we are both ardent supporters of the work of the philosopher John Gray, especially his book ‘Straw Dogs: Thoughts On Humans and Other Animals‘.

In The Streets recent release ‘Everything Is Borrowed,’ Skinner reveals Gray’s influence in his lyrics while Gray’s influence on me comes through in my writings on the conceit of ’social media’, a term that I feel is empty and is peddled furiously only by those that would profit from harnessing social networks for the purpose of creating advertising revenue. Here we are then – two musicians, a philosopher, Charles Darwin and Facebook; such a wonderful mashup. Much food for thought. Here’s the interview:

Few records this year addressed themes such as human consciousness and evolution (as well as reflecting the linguist’s pleasure in a good piece of slang) as smartly as the Streets’ fourth album, Everything is Borrowed. OMM detected in it the influence of the work of the philosopher and occasional Observer contributor John Gray – and a quick call revealed that Mike Skinner is a huge fan of the Straw Dogs author. That bestseller, first published in 2003, argued that humans have still not come to terms with Darwin or accepted that they are like other animals – thereby knocking the humanists’ belief in progress.

It seemed a good idea to put the pop star and the professor together, and so they met for a wide-ranging conversation – covering the art of storytelling and the imminent collapse of Western capitalism – in a north London pub hours before Skinner’s performance at the BBC Electric Proms.

Mike Skinner: Reading Straw Dogs… I was aware of the idea that consciousness is an illusion, but it really made me think about a lot of things differently.

John Gray: The book is not intended to convert anyone to anything or to impose my world view. It’s intended to stir people’s thinking so that they see their lives in different ways. People have said to me – young people, old people, a couple who were trapped in a religious cult for 40 years – that they liked the book because it helped to weaken the story that they’ve woven of their lives, the story that was ruling them.

MS: What you seem to be saying is that it’s all an illusion, life goes on and shit just happens…

JG: Well, good things happen too.

MS” But what’s a good thing? It’s just something that we perceive to be good…

JG: I’m not saying we should rid ourselves of the need for stories, but when that need becomes tyrannical then we can give up too much of our freedom. One story of the past few years was that wealth was going to grow indefinitely – we were all going to get richer and the ups and downs of history weren’t going to apply to us. Well, stories are not true or false in the way that science is, but some are closer to human reality. And this Prozac-like story of the last 20 years – people believed it!

MS: The financial situation: the impression I have is that we’re not in as much trouble as we were in 1929.

JG: Not yet.

MS: OK… and the reason for that is memes – it’s the knowledge that if you don’t bail the banks out, we’re in really deep shit. So does that represent progress?

JG: It’s an interesting question. And I’m serious when I reply by saying the proof will be in the pudding. You can say we studied the 1930s and so we won’t commit the same mistakes. We’ll do what should have been done then and maybe it will work. But there is a different way of looking at it. Even if avoiding those mistakes now is the right thing to do, there will be different consequences which will get us into different types of trouble. Bailing out the banks might lead to the sort of stagflation we saw in the 1970s.

The point is: there’s an element of luck, and while I’m not a religious believer, if you want stories in your life, it might be better to follow religious stories rather than those you know to be shallow – like the story of unending growth.

MS: Your work can be very dark. But as a person you seem very amiable…

JG: Well, I’m not writing in order to provide consolation. One idea that’s really unpopular nowadays is that there are any aspects of a human being which are inherently bad. But one thing that’s distinctive in human beings – it might not be unique – is cruelty.

Now what should we do about cruelty? There’s a belief that if people have a proper education, if they live in a peaceful, safe society, there won’t be any evil. But is evil – for example, cruelty – normal or abnormal? I think it’s normal. It doesn’t mean you have to accept it.

MS: Isn’t it dangerous to say evil is natural?

JG: It’s the opposite. I’m a big fan of JG Ballard…

MS: I’m halfway through High-rise

JG: The very book I was going to mention! Ballard says that people from Catholic countries are less shocked by his books than people from Protestant countries, because they still believe in original sin – there are murderers and psychopaths inside us. It doesn’t mean you accept that state of affairs, it means you have rules and conventions which stand in the way. That’s what used to be called civilisation – though, of course, there’s nowhere that’s more than half-civilised. In general, I’m interested in looking at what’s happening now and trying to deal with it. For instance, climate change is not fully solvable…

MS: Because it’s natural or… because we’re fucked?

JG: [Laughs] Well, my best understanding is that the planet is not like a clock that we can wind back. Once the carbon is in the system, there are inexorable results. Also, there’s global dimming – the darkening of the skies by pollution, which also makes the world cooler than it would otherwise be. Getting rid of pollution too quickly could accelerate global warming.

Most greens are horrified by the thought that we can’t stop climate change, but that’s childish. Am I telling people to give up? No. In Holland, for instance, they’re giving back land to the sea and building more on stilts because they expect sea levels to rise… and I find that uplifting, even though it’s a very sober approach.

MS: Just to get a bit Dr Who, if we’ve also lost control of technology, could robots take over the world?

JG: There’s nothing inherently unique and inexplicable about humans, so we could create devices that could indeed become conscious. But if we create robots that are only conscious – that don’t have the 99 per cent of unconscious mental life that we have – could that hollow replica of how we imagine ourselves to be start painting in the same way as van Gogh?

Most creativity in the arts, and even in science, comes from levels of the mind that are not conscious. Conscious thought is a tiny, tiny part of the life of the mind. Have you heard of transhumanists? These are people who are interested in technologies that will allow them not to die – some of them end up having their brains frozen. They think they can remodel themselves. Now I’m not as unhappy as they are with the idea of human life…

MS: But you don’t want to die – you’re never going to want to die!

JG: Is that true? Do we really, really want to be different from all the human beings in the past and all the other animals?

MS: I think we all do. I think you do!

JG: If I could become the sort of creature that doesn’t need to die, I’d be different from the way I am. And I don’t want to become like a robot.

MS: I was famous, I guess, for a while, and one of the fascinating things about it for me – and one of the unnerving, scary things – was how my boundaries completely controlled me. I wasn’t as autonomous as I thought I was.

JG: The person you were before was a by-product of your limitations and circumstances.

MS: Exactly. Dying is a boundary. Everything we do is to try not to die, and once you don’t have that… I’m 30 soon and all I’ve got behind me are the years when I thought I was never going to die.

JG: If the boundaries that you associate with growing up are removed, you can live in a different way. The picture you have of yourself alters or dissolves. But if the wall of mortality disappeared… well, you can almost not imagine the change; I think it would turn us into something different.

MS: If we believe in Darwin we have to believe that every evolutionary stage brings an advantage.

JG: Darwin has been turned into a humanist icon. Darwin’s followers think they’ve renounced religion, but they cling to the idea that while other animals can’t control their destiny, humans can – a belief that comes from Christianity. Darwinism has actually been turned into another religion.

• ‘Everything is Borrowed’ (679) is out now; John Gray’s latest book is ‘Black Mass: Apocalyptic Religion and the Death of Utopia’ (Penguin)

Photo by Jason Schmidt

This excites me as much as hearing The Very Best or the Damon Albarn-produced Amadou & Mariam. This clashing and mashing of cultures could perhaps one day lead to an enduring peace.

After the horror of Mumbai this past week, we – i.e. everyone around the globe – must come together nation by nation and begin to understand each other better. Our leaders need to to be told very forcefully that we no longer want hostile acts perpetrated on our behalf by our national armies. We can not fight a war on terror. The assailants in Mumbai planned and executed a form of personalized terror that should inspire great fear in all of us. They were not seeking out Westerners as was first reported – they killed all who fatefully entered their weapons’ range.

Carsten Holler and his compatriots in art and culture show us the way forward.

By ALIX BROWNE
BACK IN 2001, before the Democratic Republic of Congo started to make headlines as one of the biggest battlefields in African history, the German artist Carsten Holler made his first trip to Kinshasa, the country’s capital and the third-largest city on the continent. “Kinshasa is electric, filled with music, sapeurs” — men and women who fancy themselves members of a high-end fashion cult and engage in regular “Defi de Sape,” or nonviolent label wars — “and live concerts, like no other town I have seen,” Holler recalls. “I love this culture, and I thought it would be great to put it on a one-to-one ratio with our so-called Western culture.” Seven years and countless return trips to the D.R.C. later, Holler has opened the Double Club, a temporary supper club and nightclub, which does just that. Sponsored by Prada, the Italian fashion company, and designed in collaboration with the architects Reed Kram and Clemens Weisshaar in an old Victorian warehouse in North London (home to the city’s longest-running Goth nightclub), the Double Club is divided by virtual lines into cultural and aesthetic extremes that converge in subtle ways. The restaurant, laid out like a chessboard, serves both Congolese and Western dishes; the disco features a rotating dance floor and a soundtrack that changes at regular intervals from thumping Western house music to Congolese rumba rock (distorted to approximate the low-tech vibe of Congolese sound systems handmade from scrap-yard salvage).

Here, in the courtyard bar (still undergoing its finishing touches at the time of this photograph), an enlarged reproduction of “J’Aime la Couleur,” by the Kinshasa-based painter Chéri Samba, faces off with Holler’s “Tile Garden,” painted with motifs from the “Flying City” drawn by the Russian utopian architect Georgi Krutikow in 1928. Two London club kids, “Echo” and “Nunu” (far left and center), mingle with local sapeurs, “Barry White” and “Bruce”; Holler, seated at right, is apparently not taking sides. “It’s really about keeping things apart, spacewise and timewise,” he says of this sci-fi disco scene. “But, yes, in people’s minds and bellies, this comes together.” The Double Club will remain open to the public for approximately three months; a percentage of the proceeds will go to benefit City of Joy, a relief organization in the D.R.C.

This is a beta version of the trailer for Spooky’s Birth of a Nation re-work

I spent last week traveling coast to coast with a stop at the SanFran MusicTech Summit as a panelist, a visit to Venables Bell to make a social media presentation, then on to NYC to speak on a panel at the CMJ Music Conference. Both panels covered social media but the audiences in SF and NYC were wildy disparate – music technologists at one and college students and musicians at the other. I intend to follow up this post with one about the SF visits but first I wanted to write about my fellow panelist at CMJ, the artist Paul D. Miller aka DJ Spooky.

Paul D. Miller is an artist who embraces the current fractured cultural landscape with abandon. A DJ by nature he is used to mashing, mixing, beat-colliding, deconstructing and rebuilding. He resists the idea of boundaries, everything in his world can be re-booted, shaped and formed anew. He is multi-disciplined and multi-genre. As a musician he regularly tours the world giving away thousands of copies of his CD remixes as he goes. He’s a writer whose latest book, ‘Sound Unbound – Sampling Digital Music and Culture‘, is a collection of essays from the likes of Steve Reich, Bruce Sterling and Simon Reynolds; it is of course accompanied by a free CD of avante-garde music.

DJ Spooky(l) and Dave Allen(r) at CMJ Oct 08

His latest work is “Rebirth of a Nation” – remix of D.W. Griffith’s 1915 film “Birth of a Nation.” – literally a movie mashup that Miller has ‘remixed’ and re-purposed into a 21st century take of that classic movie by adding contemporary clips of social unrest and cultural upheaval seen through Miller’s particularly modern lens.

Miller describes in his own words the process of his work:

“Like an acrobat drifting through the topologies of codes, glyphs and signs that make up the fabric of my everyday life, I like to flip things around. With a culture based on stuff like Emergency Broadcast Network hyper edited new briefs, Ninja Tune dance moguls Cold Cut’s “7 Minutes of Madness” remix of Eric B and Rakim’s “Paid in Full” to Grandmaster Flash’s “Adventures on the Wheels of Steel” to later excursions into geographic, cultural, and temporal dispersion like MP3lit.com – contemporary 21st Century aesthetics needs to focus on how to cope with the immersion we experience on a daily level – a density that Sergei Eisenstein back in 1929 spoke of when he was asked about travel and film:“the hieroglyphic language of the cinema is capable of expressing any concept, any idea of class, any political or tactical slogan, without recourse to the help of suspect dramatic or psychological past” Does this mean that we make our own films as we live them? Travelling without moving. It’s something even Aristotle’s “Unmoved Mover” wouldn’t have thought possible. But hey, like I always say, “who’s counting?””

Miller is a 21st century digital/analog mash up artist. He soaks up culture and remixes and re-purposes it every day. Nothing is sacred, everything is up for grabs. His work belies the efforts of those who embrace online social networking as something “new” brought to us by “new” technological tools. Miller’s work is an antidote to that wrong-headed thinking. In a world that is populated by digital youth there are already hundreds if not thousands of younger versions of Miller creating mashed up works every day. Their numbers grow daily.

Before the end of this decade these young artists will constitute a digital tsunami that will sweep aside current social media and social networking conceits.

Uupdate: Here’s a link to the site for RIP: A Remix Manifesto, where Web activist and filmmaker Brett Gaylor explores issues of copyright in the information age, mashing up the media landscape of the 20th century and shattering the wall between users and producers.

Image via The New York Times

Banksy, the famously mysterious British artist (who has yet to publicly put a face to his work) has been whipping up some fantastical creations in New York City as of late.

Billed as his first official exhibition in New York, a storefront with signage reading “The Village Pet Store and Charcoal Grill” has popped up in Greenwich Village. Now, here’s where it gets really weird: passersby stop dead in their tracks when they notice actual bales of hay lining the city sidewalk and see a mechanical leopard swinging his tail in the shop window.

Upon entering, there are sausages and hotdogs moving along in sand-filled tanks, fishsticks swimming through water-filled aquariums and chicken nuggets singing nearby.

Not to be outdone by these oddities, a massive rabbit wearing a pearl necklace (above) is filing her nails and a frighteningly lifelike monkey is wearing headphones and watching its fellow primates on a television.

What does all of this mean? “I wanted to make art that questioned our relationship with animals and the ethics and sustainability of factory farming,” relayed Banksy. This ‘exhibit’ should definitely get you thinking…and if not, it’s worth the stop for the mind-altering trip alone.

James Nachtwey is preparing to reveal his photographs, which highlight a shocking and under-reported global crisis. Over the past 18 months, the TED community have been working with James to gain access to locations he wished to photograph and to prepare spectacular plans for unveiling these pictures.

“I’m working on a story that the world needs to know about. I wish for you to help me break it, in a way that provides spectacular proof of the power of news photography in the digital age.”

He says to bloggers – “On October 3, the story breaks. You can help.” Bloggers can get links to the URL for the Oct 3rd unveiling of the photographs here.

NubbyTwiglet.com: An Art Retrospective

Nemo Design is very excited to present NubbyTwiglet.com: An Art Retrospective by Nemo’s own Shauna Haider, opening on Friday, October 03, 2008. The show will run through Monday November 03, 2008 at Nemo Design: 1875 SE Belmont Street in Portland, OR.

Stripes, shoes and letter forms are collaged into tight, slick pop art on wood and ceramic that are sealed in epoxy resin.

These sturdy and fashion-conscious collages are produced by hand in single editions. Personal photos are edited and combined with fashion magazine cut-outs to create graphically-charged collages that blur the lines between fine art and design.

The Black & White Graphic Insight series is an ode to my love of graphic design. Stark lines and a heavy mix of a mostly black and white palette are a bold contrast to the natural surfaces.

The largest and most complex series yet, Black & White Graphic Insight aims to spark a new-found appreciation for collage as a fine art form.

For further information, please visit http://www.nubbytwiglet.com.

Directed by Aaron Rose and Joshua Leonard

Co-director Aaron Rose will introduce the film this Friday at 7:15PM, Saturday at 3:00PM and Saturday at 7:15PM and will hold a Q and A afterward. Cinema 21.

BEAUTIFUL LOSERS celebrates the spirit behind one of the most influential cultural moments of a generation.

Here’s the synopsis:
In the early 1990’s a loose-knit group of likeminded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip hop and graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the “establishment” art world, this group, and the subcultures they sprang from, have now become a movement that has been transforming pop culture.

Starring a selection of artists who are considered leaders within this culture, Beautiful Losers focuses on the telling of personal stories. It speaks to themes of what happens when the outside becomes “in” as it explores the creative ethos connecting these artists and today’s youth.

Watch the trailer here.

Click image to play.

Click image to play ‘Because of’

I found a YouTube video of a song from one of America’s greatest living song writers, a video of a song in which he delivers an ode to passion, old age and inevitable decline. A look back at what was, has been and perhaps now will no longer be.

In this recent song, ‘Because of,’ Leonard Cohen revisits his youth, a time of prodigous output when he wrote great songs such as Suzanne and Famous Blue Raincoat and one of my favourites, Chelsea Hotel #2 in which Cohen captures the freewheeling essence of Manhattan in the 60’s – “I remember you well in the Chelsea Hotel, you were talking so brave and so sweet, giving me head on the unmade bed, while the limousines wait in the street. Those were the reasons and that was New York, we were running for the money and the flesh.” There were always women surrounding Cohen and the threads of those relationships wove their way into his songs. As his Wikipedia entry says his work often deals with the exploration of religion, isolation and sexuality.

The POV of the video for ‘Because of’ is via a porthole, or perhaps a lens intended to focus on the subject matter – women dancing half-naked on a bed. And Cohen, in that famous gravelly voice, intones rather than sings the lyrics of his lament.

“Because of a few songs wherein I spoke of their mystery, women have been exceptionally kind……and they say, “look at me Leonard, look at me one last time…”

The song brings to mind another talented artist in Cohen’s peer group, the writer and novelist Philip Roth; they were born within a year of each other, Roth in 1933 and Cohen in 1934. In 2007 Roth delivered Exit Ghost, a novel of immense power, in which the novel’s central character Zuckerman struggles with his past [there are references to The Ghost Writer a previous Roth novel] and his incontinence and impotence due to an operation to combat his prostate cancer. Roth/Zuckerman sums up his helplessness when he writes “I gave up swimming regularly down at the college pool for the bulk of the year (with bloomers under my (swim) suit) and continued to confine myself to sporadically yellowing the waters of my own pond during the Berkshires’ few months of warm weather, when, rain or shine, I do my laps for half an hour everyday.”

The difference in these end game soliloquies from each man’s perspective is that Cohen seems more hopeful, as if there is more beyond the life he now lives, yet Zuckerman/Roth sees only despair, decline and finality. Clearly, even to the end, true passion not only consumes us but also never dies.

Nemo teamed up with Fuel TV to promote their show Dew Underground about the Dew Tour in Portland. We came up with the dewy and sticky idea of collaborating with Voodoo Doughnuts to create the Mountain Dew doughnut, known from here-out as the Voo Dew!

Voo Dew Doughnut – Nemo and the Dew Tour from Dave Allen on Vimeo.

Nemo’s Chris Hotz explains the process that leads up to a special doughnut – it ain’t simple…

i suppose i should let bare my past for this project. you see, from the time i was 16 thru 23, i was on a strictly mountain dew diet. i didn’t drink water, or milk, or beer, or god forbid, coke products, ONLY mountain dew. at one point the Dew people told me i was drinking so much it was bad for my heart and i needed to stop. instead i asked for some coupons and like good americans, they gladly obliged. so with that in mind, this collaboration was actually pretty easy to come up with. the AST Dew tour only happens in a few very lucky cities, portland being one of only five venues. so as a city, we’re pretty fortunate.. we started to think about how lucky portland is to have such a cool and creative culture. those, “Keep Portland Weird” stickers are for a reason. as far as portland-centric institutions, Voodoo Doughnuts is one kick ass independent doughnut shop. i mean seriously, a maple bacon bar, genius… it almost seems like they make doughnuts that they dare you to eat. so as we started brainstorming, we threw out the idea of a Mountain Dew flavored doughnut. and honestly, i was thinking more about the color and the presentation, but when we contacted the VooDoo guys, they we’re all about getting the flavor JUST right. boiling down Mountain Dew into a syrupy reduction, lemon lime additives, caffeine powders, adding lemon sprinkles, laboring the color of the frosting. the first taste tests were unbelievable. the second test brought back memories from my childhood. damn i’m thirsty.

Babara Kiviat, a blogger for Time Mag’s The Curious Capitalist blog, has discovered two new things – Threadless and crowdsourcing. In a post yesterday entitled crowdsourcing worked on me she marveled at how Threadless works – it’s a user-driven business and its products are voted upon and ranked by its customers and/or site visitors. It is a highly successful and profitable business. Good job digging this up Barbara, Threadless has only been around since 2000. More details can be found at Skinny Corp the company that owns Threadless.

Meanwhile crowdsourcing is a term that was first coined by Jeff Howe in a June 2006 Wired magazine article and has been open to debate ever since. It’s worth reading the Wikipedia page about crowdsourcing where you will discover that Douglas Rushkoff and Wikipedia founder Jimmy Wales both have serious doubts about the term and its implications.

Nice to see Time keeping its finger on the popular culture pulse though.

Art 4 Life at StudioNemo from Dave Allen on Vimeo.

There’s never a dull day at Nemo but when kids come in the energy level always kicks higher. Here’s a bunch of kids from Art4Life art camp putting together a poster for their class with the StudioNemo crew.

Click image to Play

Today’s Digital Youth are already well-versed in Trust and Fame, they understand very clearly that their song, their video is only as good as the one that went before it on YouTube unless it is awesome, catchy and fun. Seattle’s Natalie Portman’s Shaved Head worked with the video crew That Go to cut this clip for their song ‘Sophisticated Side Ponytail.’ That Go also made a great clip for Thunderheist recently.

We seem to have dropped into a musical theme over the weekend and with that in mind I wanted to point out a post that David Byrne wrote on his blog. As you can see above he is pondering the idea of less press and pr and more online discovery. I believe Byrne is doing the right thing as there will be plenty of buzz around a new Byrne and Eno album on the blogosphere. And Byrne and Eno are both influencers and trusted sources. Those two elements alone will help any PR 2.0 campaign gain traction. I posted a slide show about PR 2.0 here, and also wrote an essay about Social Media, Blogs and Advertising which can be found here. Meanwhile I’m looking forward to spreading the word on the new Byrne and Eno album, Everything That Happens Will Happen Today. You can hear a cut from the new album and download it too. Click Here.

Happy Prescriptions “Thought it’d lead us..”

Getting it right, getting exposed. A comment on the Girl Talk post, left by a user named ‘Natron’ led me to a web site for Happy Prescriptions, no doubt the web site for said ‘Natron’ who it turns out is a Portland musician. Another click of a hand [you have to visit the site to get that] led me to Happy Prescriptions MySpace where I found the video above. There’s also a free MP3 ep there. Circle complete.

Girl Talk live in Detroit. Photo – Christos/Detroitartist.org

Gregg Gillis is more well known as the musician Girl Talk. And he believes very strongly that he is a musician and not, as many people have called him, a DJ. If you haven’t heard his work you might wonder why there would be any issue for Gillis but upon hearing his craftily designed songs you will notice that each track is made up of many short snippets of samples of songs that you know you’ve heard somewhere else. On his recent album, Feed The Animals, that he released online Radiohead-style on Illegal Art he told the New York Times that it includes more than 300 samples and that he estimates that each minute of “Feed the Animals” took him about a day to create. That’s a lot of days.

More importantly though his preferred method of “song writing,” i.e. using riffs borrowed from other people’s work puts him front and centre in the debate over copyright law and fair use. His stance is that he is using such tiny samples of other people’s work that he argues his actions are protected under fair use. Not all legal experts agree but so far he has avoided the threat of litigation.

As a musician [I am a founding member of the UK post-punk band, Gang of Four] with my own copyrights I share his stance as I believe that copyright laws have become far too stringent and are now limiting artists’ abilities to be creative. Many people would like to see the law relaxed in certain areas to allow more creativity to spring forth. One area that definitely falls under the term known as gray is the practice of creating mashups. A Mashup in the musical form is exactly what Gillis is doing, literally intermingling or layering beats and samples from various songs on top of and into each other. The end result is surely a completely new work. As Wikipedia puts it – a mashup is a digital media file containing any or all of text, graphics, audio, video, and animation, which recombines and modifies existing digital works to create a derivative work.

Any digital media is open to the process of mashing, and just like a collage, where found images are most commonly rendered onto a canvas, the end result of this creative process should be considered a new original work. There should be no threat of litigation for artists such as Gregg Gillis who create these new works of musical digital art. Go here to hear Gillis in action as Girl Talk and see how many songs you recognize.

In that spirit I post here a mashup that I recently created in collaboration with the musician Jon Ragel who goes by the moniker Boy Eats Drum Machine. Rather than sampling we decided to actually perform the mashup by playing live in the studio on top of sampled drums. The song borrows parts from the artists Talking Heads, Aaliyah, Van Halen and The Cure.

BEDM feat. Dave Allen – Talking Heads/Aaliyah/Van Halen/Cure Mashup [MP3] Click to play, right click to download.

My Online Marketing Presentation About Radiohead from iaintait on Vimeo.

Our very own Nubby has an art show in Portland on July 2nd. I won’t embarrass her by rambling on about how great her work is, just go see for yourself if you’re any where near PDX.

“A new collection of graphic black + white artwork from Nubbytwiglet.com, the Black & White Graphic Insight series is an ode to my love of graphic design.”

Black & White Graphic Insight
Reception: July 2nd, 6-9 pm
Show runs July 2nd to August 3rd, 2008

@ Vino Paradiso
417 N.W. 10th
Portland, OR 97209
Gallery Paradiso website

Today I became the lucky winner of a DB Clay Feather wallet. The fine people from DB Clay came by the Nemo Design offices and dropped off four wallets and I was able to claim mine, the one pictured above. To paraphrase the old T-shirt adage, never under-estimate the power of a free wallet. I’m now a customer for life.

Antony and the Johnsons in concert with the Oregon Symphony, conducted by Nico Muhly, and part of the 2008 Time-Based Art Festival

September 5, 2008 at 8:30 pm Arlene Schnitzer Concert Hall

Starting at 10 am on Friday, June 27, 2008 PICA will begin a special MEMBERS ONLY pre-sale for tickets to see Antony and the Johnsons in concert with the Oregon Symphony, conducted by Nico Muhly as part of the 2008 Time-Based Art Festival. Available to the general public on July 11th, 2008, tickets range in price from $20-$75 and seating is assigned.

Not a PICA member? Join now to to be the first to buy your tickets and receive the discounted member price. You can also become a member by calling 503-242-1419.

DNCHARD and LVHARD too, why not?

Here’s the soundtrack to all that – Sébastien Tellier – Sexual Sportswear

Cool Hunting dropped the word on Portland’s Rock Camp For Girls documentary. How both of us missed the fact that it opened March 7th is a crime! We here at Nemo at least can take credit for hosting Shayla Hason’s – Hope Is A Muscle photo exhibition starring the Rock Camp For Girls kids.

Most reviews of the 2007 documentary “Girls Rock,” might mention it’s a tearjerker (it is) or praise it for being uplifting (also true), but none so far mention the overwhelming urge you will get to take out your checkbook to support the cause. Arne Johnson and Shane King (two seasoned SF-based documentarians and longtime pals) tell the story of four girls, all dealing with their own struggles in adolescence and gender, over the course of their time at Portland, OR’s Rock Camp for Girls. The film deftly relates their struggles and giggles, unapologetically delving into the issues without preaching and with surprising honesty.

We highly recommend you check it out for yourself. To find out screening dates and locations, check out their site. (You may want to check their blog also as it seems to be updated more regularly.) Also, donate!

The Tower of Babel

Cities live and breathe. As I wrote in a post last week on Social Media, cities are no more artificial [technological] than the hives of bees. As we go about our daily lives [mostly unconsciously,] we psycho-drift from block to block through neighborhoods that we know well, in amongst communities that have been drawn together by like-minded people. Think East Village in Manhattan, Venice Beach in Los Angeles, Camden Town in London, Pigalle in Paris – and here in Portland, the Pearl District.

Where we tend to live and work is often amongst communities of like-minded people, unless, as in the USA, one lives in a far-flung exurb and commutes for hours to work. Over centuries we have moved as a species from the rural countryside into large urban centres. As we have done so the ‘idea’ of the city sprang up. Throughout different periods in history, planners and architects have had differing ideas about how to cultivate urban living arrangements. There has been some success and much failure.

As James Kunstler writes in his book, The City in Mind, – “[the] nation’s massive suburban build-out was an orgy of misspent energy and material resources that squandered our national wealth and left us with an infrastructure of daily life that, left as is, has poor prospects in the new century.” Kunstler points out that as global warming, oil depletion and other epochal disorders are upon us, we must reconsider what is a ‘city.’

He argues that one of the chief side effects of the move to suburbanism is “the cultural destruction…especially the loss of knowledge, tradition, skill, custom and vernacular wisdom in the art of city-making that was thrown in the dumpster of history….”

A city is not just a series of streets and avenues with buildings on either side, a city is people, culture, society and the networks that form to bind those societies together into communities. The suburbs were literally a dream, an idea that General Motors had of a drive-in utopia in its plan for a World of Tomorrow. Kunstler goes on to point out the folly of the “Edge City,” a term coined by the writer Joel Garreau. Kunstler says “I essay to show how Atlanta took the urban model of car-crazy Los Angeles to its most ludicrous, and in my view, terminal stage. With Atlanta, you can forego agonizing over the future, because the present doesn’t even work there.” As he points out “our human ecologies – namely our towns and cities – remain devalued, depopulated and decivilized.”

In America we prefer landscape over urbanism. What then now as our dependence upon oil, refined as gasoline for cars that transport one person at a time from these suburbs to the cities, proves the folly of these far-flung suburbs? Will we see a move toward urban vitality? A migration back to the city?

Government spending at any level, state or local, does little to help. We need to “nurture the unplanned civic engagements that make mixed-use city life so appealing” – writes Douglas Rae, the Richard Ely Professor of Management and Professor of Political Science at Yale University, in his book, City; Urbanism and Its End. “Small scale retailing, neighborhood clubs, informal enforcement of sidewalk civility and new urbanist design may be the keys to the future.”

I agree with Rae on the idea of “nurturing unplanned civic engagements” as he puts it but that’s as far as I would go. The rest of his thought sounds like the issue of we humans being in control of our destinies again, trying to have the answer that is beyond nature, beyond what we actually do when we congregate in cities. Our desire for urban centres always seem to be about ‘order’ or ‘cleanliness’ and ‘organization.’ So on one hand we have the thinkers – the planners and the architects, and on the other – the citizens who actually inhabit the space that we call city. What we might call the ‘Few and the Many.’

Alongside a piece by the New York Times film critic, A.O.Scott, called Metropolis Now, where he writes about the idea of how yesterday’s film sets became today’s cities, there is a sidebar that takes some lines from Fritz Lang’s 1927 film “Metropolis” – “The minds that had conceived the Tower of Babel could not build it. So they hired hands for wages. But the hands that built the Tower of Babel knew nothing of the dream of the brain that had conceived it. One man’s hymns of praise became other men’s curses.” There’s that word again, dream.

We humans dream. We dream of controlling nature, we dream of saving the earth, we dream of organizing our cities. Those dreaming deny the fact that cities live and breathe. Not the concrete architecture, not the buildings – the people that inhabit them. When someone talks of Rome having a ’soul, a feeling’ they are misinterpreting the difference between the city and its cultural makeup; people can be said to have souls and feelings, we ‘know’ this – buildings don’t have soul and feelings.

As Fernando Pessoa writes – “Only if you don’t know what flowers, stones and rivers are can you talk about their feelings. To talk about the soul of flowers, stones and rivers, is to talk about yourself, about your delusions. Thank God stones are just stones, and rivers just rivers, and flowers just flowers.” We dream and we delude ourselves.

Richard Florida, author of The Rise of the Creative Class dreams of organizing urban centres [which he correctly identifies as 'place'] around the idea of a mythical “creative class” who are bound by the idea of the “three T’s,” Technology, Talent and Tolerance. This dream involves cities having a strong technology base, a “creative” class as he calls it, and a strong gay community. And of course the idea he spins is that to grow a city’s economic base it should invest in nurturing the “three T’s.” Once again – The Few and the Many. Planners and architects can no more decide what a city’s culture will be than we know that a stone has feeling.

The fabric of a city is its population. Like a bee hive [architecture] or an ant colony [social network], natural rules of engagement spring up through the daily interaction of those who inhabit a city. They commune. They gather in tribes in their ‘places.’ They share information, ideas, things they like. They become less ’selfish.’ They are city.

As John Gray writes in Straw Dogs – “Anyone who wants to escape human solipsism should not seek out empty places. Instead of fleeing to the desert, where they will be thrown back into their own thoughts, they will do better to seek the company of other animals. A zoo is a better window from which to look out of the human world than a monastery.”

Most large cities have a zoo.

Listen to and download Psycho Drift. Shriekback – Psycho Drift

For references –
References:

James Howard Kunstler – The City in Mind. Published 2001 by The Free Press.
Joel Garreau – Edge City
Douglas W. Rae – City; Urbanism and Its End. Published 2003 by Yale University Press.
Richard Florida – The Rise of the Creative Class. Published 2002 by Basic Books.
A.O.Scott – Metropolis Now. Published in the New York Times magazine June 6th 2008.
Fritz Lang – Metropolis
Enrique Peñalosa – Man With a Plan. Published in the New York Times magazine June 6th 2008.
Fernando Pessoa
John Gray – Straw Dogs. Published 2002 by Granta Books.
Solipsism
Shriekback – Sacred City [Compact Disc]. Released by World Domination Records 1992.
Barry Andrews – Lyrics to Psycho Drift.
Peter Carey – 30 Days in Sydney.

Roy Christopher has posted his annual Summer Reading List. Click on that link and all will be revealed. For those not inclined to click through here’s my contribution, followed below by Roy’s.

Dave Allen

I’ve traveled less this year than is normal for me. No Gang of Four activity anymore, so no more mind numbing journeys by train, plane, and automobile alleviated only by the power of a good book. If I was a humanist I could say that at least my carbon footprint is lower, but the Earth has plans for us, and we can’t do a damn thing about it.

That thought has always been at the forefront of my mind as I have tracked the environmental/green movements, and then followed the chattering classes’ attempts to reduce the United States’ energy dependence as they dropped into the arms of the more-than-willing Toyota Corp, helping to push sales of the Prius through more than one million.

More than one million new vehicles added to the world’s roads. Well done. A bicycle and public transport would have actually made a difference.

That brings me to the book that affirmed my thoughts on our epic — but inevitably useless — human battle to change the course of the Earth. John Gray’s Straw Dogs (Farrar, Straus and Giroux) published in 2002 is a book that I keep returning to. As the UK author, Will Self says, “Straw Dogs is that rarest of things, a contemporary work of philosophy devoid of jargon, wholly accessible, and profoundly relevant to the rapidly evolving world we live in.” Gray simply and concisely slices through the human conceit that we are radically different from other animals.

Otherwise I rediscovered Philip Roth especially his wonderfully depressing Exit Ghost (Houghton Mifflin). I also finally got around to reading Roth’s The Plot Against America (Vintage). Denis Johnson’s Tree of Smoke (Farrar, Straus and Giroux) was a great read on long trans-continental flights and Robert Hughes’ memoir Things I Don’t Know (Vintage) was a fascinating read from the man who brought me two favorites, Barcelona (Vintage) and Culture of Complaint (Grand Central Publishing).

————–

Roy Christopher

David Mitchell Cloud Atlas (Random House): This collection of nested-doll stories from 2004 is like exploring an abandoned building via descending staircase, stopping on each floor to read some left-behind letters, a travel journal, or a mystery novel. Like Mitchell’s previous novel, Ghostwritten (Vintage) [also recommended], each section of this one refers to the others. It’s like reading pieces of several quasi
-related books that somehow add up to an engaging whole. I snagged this at Powell’s during my last few days in Portland based on its cover alone.

Sherry Turkle Falling for Science: Objects in Mind (MIT Press): One of the largely unsung voices of the digital revolution, Sherry Turkle has been hard at work for over two decades trying to keep tabs on technology’s influence on our lives. Inspired in the early eighties by Seymour Papert’s essay on an interest in the inner-workings of gears and how it lead him to study math (included in this volume), Turkle has assigned her students at MIT to write a similar piece. Falling for Science collects fifty-one of these essays — by her students and colleagues over the past twenty-five years — explaining how certain physical objects influenced them to pursue a life of science. Legos, bicycles, erector sets, computers, and other usual suspects get their due, but so do shirts, walls, bubbles, and keys (among many other things, both exp
ected and surprising). It’s an interesting look at the subtleties of design, influences (often unintended), science, and inspiration.

Mary Roach Bonk (W. W. Norton): Mary Roach has a knack for finding intriguing book topics (and writing interesting books about them, of course). They’re all slightly askew, but one can easily see how anyone would be interested in them. In Stiff she followed the afterlives of cadavers, in Spook she followed the afterlife of afterlives (ghosts), and in Bonk she, ahem, gets science laid. It’s everything you always wanted to know about sex — if you’re a science geek.

Mikita Brottman The Solitary Vice: Against Reading (Counterpoint): If there were a Bibliophiles Anonymous, this would be its bible. Brottman isn’t actually averse to reading, quite the opposite, but in The Solitary Vice, she explores the reasons that attitudes toward reading have been so historically conflicted. Coincidentally, her book is a damn good read.

James D. Watson Avoid Boring People (Knopf): As marginally interested as I am in James Watson’s Nobel-winning scientific work, I’m finding his memoirs completely enthralling. Here’s one of the co-discoverers of the building blocks of life breaking down his academic career into first-person narratives and — true to its title — easily digestible lists of practical advice, unwritten protocols, and lessons learned. This book proves that Watson’s gift for scientific inquiry is well matched by his wily way with words.

I’m also currently reading and re-reading the following: Gilbert Ryle The Concept of Mind (University of Chicago Press), Jack O’Connell Word Made Flesh (Perennial) [Thanks, Ashley], Terry Eagleton The Gatekeeper (St. Martin’s), Christopher Vogler The Writer’s Journey (Michael Wiese Productions), Etienne Wenger Communities of
Practice (Cambridge University Press), Rebecca Solnit Wanderlust: A History of Walking (Penguin), and Andrew Ortony (editor) Metaphor and Thought (Cambridge University Press).

Weezer cover Radiohead’s Creep, live in Portland from Dave Allen on Vimeo.

Weezer came to Portland last night and rounded up 200 local Portland musicians and fans via a radio call-out from KNRK 94.7, our local alternative radio station. A few of us here at Nemo got the tip so we headed off down to the Oaks Park Fairground pavilion to watch everyone stream in and learn the songs, practice a little and then have a great time performing with their favorite band. The video here is the band and their fans performing Radiohead’s ‘Creep’.

In an age when it is difficult for bands to break through the white noise of popular music culture, Weezer have come up with an interesting idea – tour up the west coast dropping in on radio stations and inviting their fans to come jam with them. They record each nights’ performance and then they will select the best cuts for a limited edition CD to follow. Judging by last night’s crowd it’s the perfect way to engage directly with your fans in an unassuming and non-pretentious way.

The back cover of the Damaged Goods EP

On June 18 I spent an afternoon with the University of Oregon’s philosophy department class presenting a talk on Gang of Four and our place in the “creative, potentially transformative popular music pantheon.” It was fun. As a band our achievements are well known, mainly in critical circles, but also from the few thousand passionate hard core fans who continue to hang on dearly to their vinyl copies of ‘Entertainment!’ For a band that didn’t sell very many albums we continue to draw new listeners and thought leaders to our music. Hence the invite to speak today.

It was fun taking questions from the students, and very good questions too, about our lyrics, our political stance, how we messaged through our music. We also discussed where music is going and how will musicians be able to make a living. The students appeared to take to heart my idea that musicians are no longer in the music business, they are in the T-shirt business.

As I researched for the talk I came across the Damage Goods EP ripped from vinyl and made available as a download along with a hi-res file of the back cover. 30 years ago, on June 28th and 29th 1978, in Cargo Studios just outside Manchester England, the original Gang of Four line-up recorded the EP. Two days, live recording, minimal overdubs, recorded and mixed. Three songs – Damaged Goods, Armalite Rifle, (Love Like) Anthrax.

It’s amazing to listen to today [the students loved it.] The disarming, sprawling charm of the non-production stands out. Performed basically live this version of Damaged Goods seems now perfect – unhurried, raw, prickly guitar, Jon sounding like he’s just yelling in a room. I’m glad I never trust my memory.

Dave Allen, Director, Insights & Digital Media, Nemo Design

Gang of Four – Damaged Goods (EP version 1978)

Damaged Goods 3 song EP Click, right click or control click to download. It’s a 12mb zip file and it includes a hi-res back cover image.

For musicians, 1000 true fans may be the way to lift their sales, and therefore their careers, out of the flat plains of the Long Tail. Looking for information about 1000 fans, I entered ‘1000 friends’ as a search term in Google – it returned 12.2 million results. Here are the Google results.

In this context there isn’t much difference between ‘fans’ – who support musicians and artists, and ‘friends’ – who tend to support causes and the environment. For instance, 1000 Friends of Houston wants 1000 people to donate $100 each to kick start an initiative to improve livability in Houston. Meanwhile the musician Jill Sobule put up a web site asking for donations to make a new album. She needed $75,000. If you visit the site today she happily proclaims that she has achieved her goal and recording is under way. Here’s her original post setting out her goals and the different levels of donor participation.

Kevin Kelly, who describes himself as follows: “Kevin Kelly is a Senior Maverick at Wired magazine and is currently editor and publisher of the Cool Tools website” says in a post at his site, The Technium, “A True Fan is defined as someone who will purchase anything and everything you produce. They will drive 200 miles to see you sing. They will buy the super deluxe re-issued hi-res box set of your stuff even though they have the low-res version. They have a Google Alert set for your name. They bookmark the eBay page where your out-of-print editions show up. They come to your openings. They have you sign their copies. They buy the t-shirt, and the mug, and the hat. They can’t wait till you issue your next work. They are true fans.”

Kelly’s article [from which I borrowed that image] provoked a lot of comment and in one case an outright rebuttal from a musician who has been using the 1000 fans technique to sell his music. As this musician wrote, he couldn’t make a living from operating with such low income. [I would argue that the real point of reaching out to your true fans is networking and not about trying to make a living solely from the income derived this way. It should be treated as another arrow in the quiver of tools that musicians already use.] Kelly then wrote another article entitled ‘The Case Against 1000 True Fans.’ The debate continues.

I like the idea of 1000 true fans. It’s rather like a patronage and when it works it must be wonderful to be that artist who feels the affirmation of her fans. Yet what if it doesn’t work? Fundable is a web site that helps artists by putting up the page that solicits the donations. If the artist requests $5000 for her next work to be created but falls short of that goal then no one pays. Fundable helps in two ways 1. It’s an easy way to create a web site for this purpose, and 2. Artists learn how many fans are willing to support their endeavor before starting a new project.

Arguably these groups of donors are more than just ’super fans’ of artists, they are a micro social network. In April, Peter Bowman, a contributor to the web site Internet Evolution wrote a post about the emergence of micro social networking. He argues that companies and businesses that have built micro-sites for their brands are now branching out and creating micro social networks and asks:

“Will this growing micro-social trend dilute the existing power of social network elites like Facebook and MySpace , or will they empower more people to participate in a wider selection of online communities based on their individual needs and wants? Large brands and businesses have been using micro-site spinoffs to vertically promote products and services while targeting a very defined and loyal online market. Micro-sites have worked wonders for companies that want to align something specific to a targeted online audience. Now, there is a growing movement to transform micro-sites into micro-social networks to become more in line with Web 2.0 applications that aim to engage users with more interactivity and peer-to-peer networking options.”

I think he’s right. As people tire of the faceless anonymity of Facebook and MySpace they will either seek out or start their own network to attract like-minded people to their particular cause, movement, musical group or hobby; a group such as the one that donated $83,000 to Jill Sobule. Sobule should start a Ning network to help all those people stay in touch with each other. After all, they share a common goal.

On a much larger level, Trent Reznor of Nine Inch Nails had huge success with his direct sales set up where he sold a deluxe package that was a combination of MP3s, CDs, DVDs and a book that he called an “Ultra-Deluxe Limited Edition” package available in an edition of 2,500 units. Critics scoffed but he sold every one of them raking in around $750,000 gross. That’s a micro social network in action. His next release, ‘The Slip’ comes as digipak CD in a limited edition of 200,000 units.

Dave Allen, Director, Insights & Digital Media, Nemo Design.

Related Post: On Social Media, Blogs and Advertising.

Find more videos like this on NEMO

Nemo hosted Shayla Hason’s Hope Is A Muscle photo exhibition last night. Here’s the video with Shayla discussing her work with the Portland Rock N Roll Camp for Girls.

Freshbooks hired Boston artist Jazz Martin to paint a mural on the booth during the HOW Design show in Boston.

I’ll never break my Mac habit to go for a Zune but if there ever was a reason to own one this may be it. Limited edition release of 500 units engraved with the Joy Division iconic artwork created by Peter Saville. Get your finger on the trigger on June 17th.

www.neistat.com

Sign Language, 2007 by Amy Yoes. A sculpture for “L.I.C., NYC.” Socrates Sculpture Park, Long Island City, NY.

All The Way From NYC!
Amy Yoes Will Lecture About Her Work!
The Public is Invited (it’s free, tell your friends)
Monday June 2nd, 7:30pm Sharp!
PSU 5th Avenue Cinema Room 92
510 SW Hall St. at SW 5th Ave

Amy Yoes has been interested in ornament and architectural space for many years. Her recent projects have become more three dimensional and have involved animation and light. Her work has been exhibited in L.I.C., NYC, Socrates Sculpture Park; 50,000 Beds, a project by Chris Doyle on view at Artspace, New Haven, CT; the Islip Museum’s Carriage House, Islip, NY; and Michael Steinberg Gallery, New York, NY.

She created a wall drawing, Sightseers Folklore, for Wave Hill’s exhibition Out of Bounds in 2005. Her work has been exhibited at Aldrich Contemporary Art Museum, Ridgefield, CT; Cranbrook Art Museum, Bloomfiled Hills, MI; Hollins University, Roanoke, VA; and The Peppermil Fireside Lounge, Las Vegas, NV. She has received grants from the Pollock-Krasner Foundation and the New York Foundation for the Arts. She earned her BFA from the School of the Art Institute of Chicago.

ABOUT PMMNLS
PMMNLS visiting artists are interviewed each Monday on Art Talk AM on the Radio: 12-1 PM. Find it at 98.3 FM on the PSU campus, streaming at KPSU.org and available at arttalkam.blogspot.com.

Portland State University’s Art Department offers free public lectures every Monday night of the school year. This is the twenty-sixth lecture in the PMMNLS for this season. The PSU MFA Monday Night Lecture Series is supported in part by PICA, Reed College, PNCA, Lewis and Clark College, and PSU’s Department of International Studies and Ben Rosenberg Studio. If you or your organization are interested in becoming a supporter of the lecture series please let us know.

Nemo Design presents Shayla Hason’s Hope is a Muscle: Photos from the Rock n’ Roll Camp for Girls exhibit opening on Friday, June 06, 2008. The show will run through Tuesday, July 01, 2008 at Nemo Design: 1875 SE Belmont Street in Portland, OR.

“It has been a great honor to watch the camp grow, and with every session to see the girls gain
knowledge, confidence and strength in a single week. As a documentary photographer, I am most interested in the small, sublime moments at camp and the interactions between the girls in the days leading up to the showcase,” said Hason, who has been taking photographs at the Rock n Roll Camp for Girls since 2001, the second year of its existence.

The Rock’n’Roll Camp for Girls, a 501(c)3 non-profit, builds girls self-esteem through music creation and performance. Providing workshops and technical training, we create leadership opportunities, cultivate a supportive community of peers and mentors, and encourage social change and the development of life skills.

Nemo Design is a Portland-based integrated branding, marketing and design shop. Nemo Design’s capabilities include brand strategy, design, motion graphics, interactive development, film, video, print and photography production.

Juxtaposing nature with man-made objects, Pennsylvania-based artist Lee Stoetzel uses woods chosen for their natural flaws to make large-scale sculptures…like VW buses…

MUTO a wall-painted animation by BLU from blu on Vimeo.

The new short film by Blu – an ambiguous animation painted on public walls.
Made in Buenos Aires and in Baden (fantoche)

Robert Rauschenberg, the irrepressibly prolific American artist who time and again reshaped art in the 20th century, died Monday night. He was 82.

Nemo Design presents Furry Kama Sutra, a photography/Video exhibition by New York based photographer Michael Cogliantry, opening on May 02, 2008. The show will run through Tuesday, June 01, 2008 at Nemo Design: 1875 SE Belmont Street in Portland, OR.

Furry Kama Sutra is the title for a new project by New York based photographer / director Michael Cogliantry.

For this series, Cogliantry captures the little seen world of Furry in a series of photographs and videos that are part position manual, part sexual sub-culture exploration.

Dressed as animal of their choice, Furries are considered the ultimate explorers of anonymous sex. In the fur suit, one can leave the confines of the computer room and venture out into other’s bedrooms, remaining totally anonymous. Groups are based largely online, but hold conventions all over the world, usually barring the media.

The collection of seven 40 x 50” color photographs poses and three video episodes
were shot at various “by-the-hour” motels around Las Vegas.

Nemo Design (Nemodesign.com) is a Portland-based integrated branding, marketing and design shop. Nemo Design’s capabilities include brand strategy, design, motion graphics, interactive development, film, video, print and photography production. Nemo Design is located at 1875 SE Belmont Street in Portland, OR.

Here’s a message from SqueakeClean, who’s in the Nemo circle of friends one way or the other, talking up his crazy fun times working with Kanye West on the Glow in the Dark Tour. From Sam in his own words:

“Hey all!
I just spent the last month orchestrating Kanye West’s Glow In The Dark Tour. It was one of the most inspiring creative endeavors I’ve ever been a part of, as Kanye is a very inspiring person to work with. He is SO PASSIONATE about making everything he does great in a time when there is a great deal of mediocrity in mainstream music. Seeing his crazy HUGE vision come together for this tour from inception to reality was unreal.

Kanye first asked me to do a remix of his song “Flashing Lights” for a video styled after an old school horror flick. He loved the cinematic qualities I added to the music and asked me to orchestrate his tour. As we developed the sound for Glow In The Dark and he began to figure out how it was an epic space story/adventure, we began to realize it had a strong Star Wars aesthetic. At all times, we had two screens of Star Wars Episodes 4-6 playing on the TV’s at the studio. What I ended up doing was redoing almost all of the songs somewhere between John Williams’ Star Wars score and Vangelis’ Blade Runner score, and also doing segues between most of the songs as well. This means big orchestra, brass, woodwinds, timpani, and tons of synths to help Kanye tell his space adventure story. I also ended up bringing in Skywalker sound (the people who did all the sound design for the Star Wars movies) to do sound fx for the show to enhance the experience for the audience, and we mixed the show in surround sound so it is really like going to see a sci-fi movie in the theater. Kanye had the most amazing people build his set and he even got Jim Henson to build him an alien! Kanye figured out this crazy way for all of his songs to tell this amazing story which takes place mostly in his spaceship and on an alien planet, where all of the songs (along with some dialogue) tell the story.
It’s an amazing show!! Go check it out!!! Glow In The Dark!! Coming to a galaxy near you…”

Glow In The Dark Tour is coming to Portland.
6/3/08 Portland, OR Rose Garden

Here’s the link to Kanye’s blog (which is really cool), where he posted some stuff about our work together…

Peace!!
Sam

Check these out:
Squeakeclean website
Squeakeclean MySpace
Squeakeclean T-shirts

Tree Stencil Cut and Spray Timelapse – Draft from Jaymis on Vimeo.

From the artist – “This is a timelapse shot over several months totalling about 10 hours cutting and then spraying a stencil. It still needs some tweaks to editing and motion, but it takes an extremely long time to render, and there are loads of other projects in the way, so I’d prefer to share it incomplete and warty rather than never showing it because it’s not “perfect”.

Tech:
Shot with a Pentax *ist DS Digital SLR. The frames were taken as quickly as the camera could record to SD card – about 1 frame every 1.7 seconds.

The camera was immobile on a tripod, the pan and scan (or “Ken Burns Effect” if you want to be all photo nerd) was added later in After Effects. I shot medium-resolution images, which gave me 1500×1000ish pixels, allowing quite a bit of resizing and moving around the frame.

The faster, motion-blurred action as the video progresses is also post-production, created by speeding up the clips and blending multiple frames together.”

What would a music video look like if it were purely directed by the music? Not driven by a concept, nor by a desire to build an image, but purely as an expression of a great song? Designer Jakob Trollback shares the results of his experiment in the form. The song is “Moonlight in Glory,” from David Byrne and Brian Eno’s classic album My Life in the Bush of Ghosts, remastered in 2006. Jakob Trollback is a designer and creative thinker and he’s also a DJ. His company is Trollback + Company. From the TED Conference 2008

Portland Powerhouse!
Marie Watt Will Lecture About Her Work!
The Public is Invited (it’s free, tell your friends)
Monday April 14th, 7:30pm Sharp!
PSU 5th Avenue Cinema
510 SW Hall St. at SW 5th Ave

Marie Watt (born 1967) is a contemporary artist living and working in Portland, Oregon. Part Seneca, Watt has created work centered on contemporary Native American themes. She holds a B.A. in art from Willamette University and a Master’s Degree from Yale University. She has also studied at the Institute of American Indian Arts.

Watt’s art is primarily lithography and sculpture. For her sculpture, she uses a variety of materials, including everyday objects, as well as textiles, alabaster, slate, and cornhusks. In 2002, her stone sculpture Pedestrian was installed along the east bank of the Willamette River in Portland. Her work has appeared in several exhibitions in the Pacific Northwest and beyond.

In 2004, as part of the Continuum 12 artists series, an exhibit of her work opened in New York City and the George Gustav Heye Center of the National Museum of the American Indian. The exhibit includes Blanket Stories, a sculpture made of two towers of wool blankets, with each stack sewn together with a central thread. The blankets are ones Watt collected over several years, including many Hudson’s Bay point blankets that were given to Native Americans in trade by the Hudson’s Bay Company during the 19th century.

Ethan Bodnar’s blog tagline is ‘Happily Creative/Since 1990′ – that was the year he was born.

Gaspard Augé and Xavier de Rosnay aka Justice the French ‘band,’ if you can call two electronic DJ/Musicians a band, have hooked up with Surface to Air to create a clothing line. Justice are now the biggest band on Ed Banger Records and it appears that they are extending the brand…now you too can dress like a French DJ.

Surface to Air was born out of a beat up old loft in Union Square, NY in 1996. Its initial members began to work together as artists, and the space quickly transformed itself into a cultural breeding ground for other new and emerging artists to come and create and exhibit their work in an environment that supported them. This was the birthplace for a new underground movement. With the recognition of the talent that was being displayed by the various members, the interest of the public was piqued, and various characters began coming to the space as a place to witness the new avant-garde in its formation. From Harmony Korine to Donald Baechler to Alfredo Martinez, you never knew who was going to stop by and what would happen when they did. [From their website.]

Daft Punk – Human After All [Justice Remix] [MP3]

The blogosphere is all a-twitter about the new Bjork video from Encyclopedia Pictura. It is a truly breathtaking piece, gorgeous to look at. Watch it here.

DROPCLOCK is an aesthetically intriguing motion clock screensaver. Every minute of real time is numerically expressed with heavy helvetica dropping into water in super slow-motion.

Nemo Design presents Andy Batt’s Portraits of The World Famous March Fourth Marching Band photography exhibit opening on Friday, April 04, 2008. Please join us on April 4th from 6PM – 10PM for the opening. Beer and wine will be available. The show will then run through Tuesday, April 28, 2008 at Nemo Design: 1875 SE Belmont Street in Portland, OR.

Andy Batt first photographed the March Fourth Marching Band for Portland Monthly in 2006. Over the past couple years, Batt has done portraiture work of the band, emphasizing their unique personalities and graphic qualities. Batt has chosen 70 of his black and white portraits to display for the show.Andy Batt is a commercial photographer whose work centers around people photography – quirky lifestyle work and moody action photography of athletes and dancers. Andy graduated from the Rochester Instituted of Technology with a BFA in photography, and has been in the commercial photography world ever since. Andy has been featured in Communication Arts and STEP Inside Design Magazines, awarded for his photography by PDN and the International Photography Awards competition, has been interviewed for articles for Rangefinder Magazine, Photo Media, & the National ASMP Bulletin. Andy is currently Co-President of the ASMP Oregon chapter, and is a member of EP.March Fourth will be doing a three-month run at the newly refurbished Bossanova Ballroom on the first Friday of April, May, and June. They will appear with special guest bands, performers, and DJs to create an unforgettable bonanza of fun. March Fourth will be donating the proceeds of each show to benefit some of their favorite organizations, projects, and bands.

One to bookmark. Modern English coming soon.

Adobe Photoshop Express has arrived. It’s currently in beta but I’m going to give it a test drive. I’m intrigued about the ability that lets users group images into Web albums and then post them to popular social networking sites. More here.

This came in from Adrants.You can play with it here.